Monday, September 5, 2022

Once Upon A Time In Cielo Drive

10050 Cielo Drive, Los Angeles. It has been 53 years since the murders there in the summer of 1969, but the story surrounding them has not showed signs of fading away. The house, built in the 1940's for actress Michelle Morgan, also served as home to Lillian Gish, Candice Bergen, Samantha Eggar, and many other Hollywood celebrities. For those interested in the Tate/LaBianca murders, the story of this famous address probably acquires its greatest significance beginning on November 19, 1963. This is the date, according to his trial testimony, that Rudy Altobelli moved in to Cielo. Everyone who lived there contributes to the story of the house in some way, but it is the story of the events of August 1969 that endures.

Little appears to be known about Cielo from the time Altobelli purchased the property, to, say, when Terry Melcher moved in, renting the main house beginning on May 15, 1966, along with Mark Lindsay of Paul Revere and the Raiders. This all changes, of course, with the introduction of Charles Manson and Tex Watson into the story. 

Yet there is certainly a subset of this time, all but forgotten, if it were not for a few passages of witness testimony at the trials. To be sure, many witnesses contributed to this aspect of the story (the backstory), but this post will focus on a select few of these. These are parts of the story which are background, apocryphal.  According to his mother, William Garretson left his hometown of Lancaster Ohio in October 1968, hitching out to Los Angeles. It took Bill and a companion only a couple of rides to make it to California, and with not much more than change in their pockets.

William Garretson enters the story of Cielo in a rather strange way: he all but materializes suddenly into the narrative. Bill early on conveyed to his attorney, Barry Tarlow, that he encountered his future employer, Altobelli, while hitchhiking in Hollywood. Bill later confirms the same to LT. A.H. Burdick of the LAPD at Parker Center, along with everything else he was asked about Cielo.


 William Garretson in guest house at Cielo




W.E. Garretson in conversation with B.G. Tarlow


LT. Burdick interviewed Garretson on Sunday August 10, 1969:

Q How did you come upon that job?
\
A Well, I met Mr. Altobelli on--in Hollywood. And he, you know, he wanted--he's just got back from Europe, and he let some woman stay there before[in the guest house]that he knew for twenty years, and, you know, she partied every night and everything and the place was torn up and he--and just, you know, he told me if I wanted a job, I could come up and clean his house, and I was going to go back to Ohio in March, and I was picked up for Possession of Marijuana, and  it was lowered to Visitation. And so, you know, after that I was going to go back to Ohio, but he was going to Europe and he wanted to--he said the dogs liked me and everything, and he wanted to know if I would stay on while he went to Europe, then he would be back, you know, and he asked me, you know, he'd give me an airplane ticket home and everything.

Q Who was the woman who had your job before?

A Edith Stoltan(phonetic).

From this exchange we learn the most famous caretaker at Cielo had a predecessor, a certain Edith Stoltan. I could find no information on her, but apparently, she was a long-time friend of Altobelli, and equally, it would seem, as trustworthy as young Bill.

Again, Garretson:

Q But she lived in this house on--

A --when he went to Europe before.

Q On Cielo before?

A Yeah.

Q And she partied every night and he didn't like this?

A Well, that's from what I hear, you know, the place was a mess when I got there and everything. 

Q What place was a mess? 

A The guest house.

Q The guest house?

A Yes. She was taking care of the dogs and the bird. The bird died and everything...
(Tape Recorded Polygraph Examination of William Eston Garretson. Tape #32116. August 10, 1969 1625 hours.)




Guest house at Cielo, view of front door towards kitchen and bathroom. Notice the phone with the long extension cord on the table, along with the Budweiser beer cans.


 

During the trial, Rudy Altobelli, on the stand, corroborates Bill's story to LT. Burdick, and adds some detail. One detail that I find most interesting is the following exchange with Ron Hughes:

Q Now, did you know Mr. Garretson prior to your hiring him?

A No.

Q You just met him that day?

A No, I did not.

Q Well, he wasn't a friend, though?

A No.

Q How much previous to hiring him had you met him? 

A He had been hired way before that, when I first came back from Rome. I came back because of the heavy rains and I needed somebody to clean up some things, and Mr. Garretson was hired by me, and he seemed to be very nice and he loved the animals and the animals loved him. He seemed to be ideal to leave my dogs with. He seemed to be trustworthy.
(p. 14,781 Manson, et al trial testimony. Courtesy Cielodrive.com).

Q When you left for Europe in March did you know that Voityck Frykowski and Abigail Folger were going to live in the house in Sharon's and Roman's absence?

A I was told they were going to stay there, yes.

Q Did you know that they were going to entertain while they were there?

A No, that was not a question.

Q Did you know they were going to have large parties?

A No--

Mr. Bugliosi: That is assuming a fact not in evidence, your Honor. 

The Court: Sustained.
(p. 14,795 Manson, et al trial testimony. Courtesy Cielodrive.com).

Apparently the winter of December 1968 into early 1969 produced some very heavy rains and damaging floods in the L.A. area. No doubt this caused some storm damage at Cielo, and Bill Garretson was hired to help clean up the property (or was it just the guest house?), "way before" assuming the official caretaker duties at the guest house on March 24, 1969. It could have conceivably been in late 1968, during the heavy rains, but obviously before Rudy and Sharon Tate made their trip to Europe on March 24. Rudy hired Bill because he was "trustworthy". He had to have known Bill long enough and well enough to come to that conclusion. After all, Rudy had known Edith Stoltan for twenty years.



Rudy Altobelli



Hughes continues:

Q How long to Abigail Folger and Voityck Frykowski moving into the main house had you met them?

A I had met them at the party, I guess I was introduced to them at the house the day before. [March 23, 1969. The day before Altobelli and Sharon Tate left for Europe together]. It was very casual. I never had any conversation except for Abigail once, by telephone from London, when we were waiting for the plane to Rome, I was concerned about the boy in the back, and Sharon said I should call Abigail because she was a social worker and she could keep an eye on him and get him on the right path.
(p. 14,798).


Abigail Folger and Voytek Frykowski. Was Abigail keeping an eye on Bill Garretson?


At the trial, defense attorney Shinn cross examined William Garretson:

Q Have you ever been inside the Tate residence?

A Yes.

Q How many times?

A Twice.

Q What was the occasion?

A Well, before Mrs. Polanski, you know, moved in to, you know, the main house, I was there. I mean, you know, that was before anybody moved in.

Q Was this the first time you entered the house?

A And I was invited over another time.

Q Invited for what? For a party? For a dinner?

A No. That was when Abigail and Frykowski were staying there. They invited me over.

Q And how long did you stay?

A Five to ten minutes.

Q Did you have anything to eat or drink at that time?

A Just a beer.

Q One beer?

A Yes.
(p. 4,635).

Hughes continues:

Q And Christopher could that evening get out from the guest house on to the back patio, the double doors, as you indicated; is that correct?

A He could have gotten out. He could have been gone and I wouldn't have known about it.

Q And there was nothing to keep him, then, once out in the back patio from going around in front of the guest house up to the large residence; is that correct?

A Yes.
(p. 4706).



William Garretson waiting to be called to testify at Manson trial



Backyard of guest house at Cielo. Is this what Garretson referred to as the "little place"?


Bugliosi & Garretson:

Q The three dogs that you took care of for Mr. Altobelli, where were they that night?

A They were staying with me in the living room.

Q Did they leave the house at all during the night or did they stay with you the entire night?

A Yes, I had the back door open on the patio by the stereo.

Q Did they leave during the night or did they stay with you inside the living room?

A Well, the Weimaraner left. The larger dog.
(p. 4,636).



Cielo guest house. View from front door towards stereo


If Edith Stoltan liked to party in the guest house, Bill kept it rather respectable by comparison. But this did not stop Bill from entertaining guests while in residence. To be sure, Bill Garretson became lonely, and did what lonely people do: he reached out for companionship. These companions included, principally, Darrell Kistler and Roy Plank, both of whom were from Bill's native Ohio.

Students of this case will remember Kistler and Plank from Bill's recorded polygraph examination. They both factor significantly, and were of keen interest to LT. Burdick. Bill volunteered that he asked Kistler, who just returned from Vietnam, to live with him in the guest house in late May. He lived with Bill for about a month. This came to an abrupt end in late June when Bill threw Kistler out for stealing bottles of champagne from the main house. How Kistler accomplished this is unknown, but it happened on more than one occasion. Undoubtedly this was champagne that was delivered to Cielo, and perhaps left outside by the front door, or at the service porch area in the rear. It should be remembered that Billy Doyle loved champagne, and Abigail Folger did give champagne as a gift, at least to Witold-K for his birthday, which was in May).



Roy Plank high school yearbook photo, fourth row, last picture


I could find no photos of Kistler anywhere on the internet, and no yearbooks that I was able to locate had a photo of him in them, either. The same can be said for Patricia Montgomery, although her name appears in lists of graduating students of Indio High, at places like Classlists.com. The girls did not live at Cielo, but had occasionally stayed overnight, according to Bill Garretson. When Bill kicked Kistler out, the girls left with him, returning to Indio. LT. Burdick asked Bill if both girls were from Indio, and Bill replied, "[Y]es, both the girls." Apparently it was Debbie Tidwell that Bill favored.



Debbie Tidwell yearbook photo



Another visitor to the Cielo guest house, according to Bill Garretson's interview with LAPD, was Roy Plank. Roy and Bill were classmates in high school back in Lancaster Ohio. Plank was a Marine stationed at Camp Pendleton, who ultimately went A.W.O.L. and wound up being apprehended in Lancaster. Very little is known of the whereabouts of Plank and Kistler immediately following the murders of August 1969, but I was able to locate some newspaper clippings. This from the Indio Desert Sun: 
"Driver Has Repeating Accidents"
"Indio--An accident looking for a place to happen happened twice Wednesday night, in Palm Desert, and between Palm Desert and Indio. Booked at the Indio Sheriff's Sub-Station on a charge of driving under the influence of alcohol after the accidents was Darrell Kistler, 23, of 80-521 Highway 111, Indio, a California Highway Patrolman said. 

The first accident occurred at 9:45p.m. at the Security Pacific National Bank at 74-011 Highway 111 in Palm Desert. According to the CHP officer, Kistler, driving a panel truck, attempted to drive into the bank parking lot, missed the driveway, knocked over an entrance sign, backed up into the bank wall and also broke off a sprinkler...

At 11:30p.m., on Highway 1121, 1300 feet west of Dune Palms Road, the panel truck, driven eastbound by Kistler, crashed into the rear of another eastbound vehicle driven by John Bailey, 48...Taken to Indio Community Hospital and treated for minor injuries and released after the crash were Kistler and two passengers in the Bailey vehicle..."(Desert Sun, Volume 44, Number 229, 29 April 1971).




Darrell Kistler obituary notice from the Lancaster Eagle Gazette in the 1980's. Unfortunately he died a young man.


Roy Plank died in 2014 in Lancaster Ohio while mowing the grass. Apparently he had a heart attack.(Lancaster Eagle Gazette, August 11, 2014). I did manage to locate Debbie Tidwell on social media, and reached out to her, asking if she would care to comment on the summer of '69 at the guest house on Cielo. I have not received a reply from her.

Other regular visitors to the guest house were brothers Tom and Dave Vargas, gardeners employed by Rudy Altobelli since about 1965 at Cielo. The brothers tended to the Cielo property twice a week professionally, and when they were not working there, they used the guest house, shall we say, recreationally. According to Garretson, it was Tom Vargas who visited the guest house Thursday night, August 7, 1969. Accompanying Tom that evening was his girlfriend. Tom bought Bill the now famous Budweiser beers that--along with a couple of joints and a Dexedrine capsule--got poor Bill rather sick, causing him to feel somewhat fragile Friday August 8th.

Tom Vargas, like his brother Dave, were married men. Dave, it appears, brought his girlfriend to Cielo, but parked outside the gate to the property for their fooling--around sessions. This would probably have been in about the same place where Tex Watson would park the car on Friday August 8th when he cut the phone lines to Cielo.

LT. Burdick continued to question Bill Garretson:

Q What have you seen going on there that is different?

A I never seen--well, that night?

Q Any time?

A Oh, maybe one time I seen that--I don't know, I--I was asleep and I woke up, and that was when Darrell was living there and those two girls were staying that night, and they were over in the pool swimming and I went over there and they said that they'd seen Polk (phonetic)--Sharon wasn't there yet, I don't think, on mescaline--that somebody was on mescaline or something.

Q I didn't hear you.

A Somebody was on mescaline or something that lived in the main house. That was what they told me. 

Q How would they know this?

A They said that they told 'em.

Q They told them? What do you mean?

A They told them that they were on mescaline or something.

Q Someone that was in the main house told the two girls that were visiting you that?

A Yeah, yeah, and that they were on mescaline or something--I don't know.
***
Q How many times have you been in that big house, the main house?

A I think about twice.

Q When was the last time?

A That's when they asked me over one time. Abigail and the young Polanski. And they asked me--they asked me up. Abigail called me up and asked if I didn't have to go to court the next day for a (*) Possession of Marijuana charge which they lowered to Visitation. They wanted to talk to me, and that was the last time I was there. 

Q They wanted to talk to you?

A Yes.

Q About what?

A About going to court. 

Q What did they tell you?

A Well, it seemed like they were really concerned, you know, because Mr. Altobelli left and she, you know, he left with Mrs. Polanski, and she seemed a little bit concerned, you know, what was going to happen, if I was going to get, you know, a probation or whatever. You know, we discussed it. That was the last time I was there.

Q Did they offer you any narcotics?

A No.

Q Did they ask whether you could get some information for them? Or could you get some from them?

A They offered me a beer when I was there.

Q Offered you a beer?

A Yeah, or a glass of milk.

Q That was how long ago?

A Let's see, that was in March--middle of March.

Rudy Altobelli further contributes to the story of Cielo by filling in more gaps, and by expanding upon the association between Abigail and Bill while occupying the property. To me at least, Rudy placed an enormous amount of trust in both Bill and Abigail while they lived at Cielo. According to Altobelli's testimony, he met Abigail and Voytek for the first time on the day before he and Sharon left for Europe. Within a week Abigail and Voytek would be fully moved into the main house, while they invited friend and artist Witold-K to occupy their rented house at 2774 Woodstock in Laurel Canyon.

Altobelli, however, was concerned about Bill living in the guest house on his own, so Sharon suggested that Abigail keep an eye on him as she was a social worker. The ultimate extent to which she and Bill had contact is unknown, but through testimony we learn that Abigail and Voytek did offer Bill rides down to Sunset, and possibly back up to Cielo. Bill claimed that he was never invited to any gatherings at the main house, probably in an effort by Abigail to distance him from outside influences? Obviously Abigail and Voytek knew about Bill being charged with possession of marijuana, and were at least concerned about it.

Thus far, the story of Cielo, after Rudy Altobelli moved into it, may appear to be idyllic. We may imagine lazy summer days and evenings by the pool; famous and beautiful people coming and going; the gardeners performing their work; housekeepers keeping house; neighbors visiting. Everyone involved with these vignettes could, and in many cases did, contribute to this story: Samantha Eggar, Terry Melcher, Candice Bergen, Mark Lindsay, Witold-K, Billy Doyle, Debra Tate, Maureen Serot, Seymour Kott, Winifred Chapman, Tom and Dave Vargas.

Had this gone on uninterrupted, the world may have never heard about 10050 Cielo Drive. That is, of course, until Susan Atkins took over as a storyteller, and essentially created the official narrative of Cielo Drive for all time.



Susan Atkins, author of the master narrative


Unknown to Bill Garretson during the night of August 8, 1969, was that both his story and duties at Cielo Drive would fade, only to be usurped by the story Atkins would weave, literally while he wrote letters and listened to the music of the Doors and Cass Elliot. On that night, as the crickets chirped, the inflatables nudged each other in the pool, and the wind chime hanging by the front door gently sounded its song, the first word of Atkins' enduring narrative would be scrawled in blood on the front door. And perhaps, just perhaps, Patricia Krenwinkel became the last visitor to the guest house, attempting to gain entrance, but failing. It is in this failure that the transference of the story from Bill Garretson to Susan Atkins is solidified: Bill Garretson indeed lived to tell his part of the story, but the story of Susan Atkins would eclipse it, becoming the story of the "crime of the century".



 Linda Kasabian would confirm and amplify the master narrative


THE INTERSTITIAL PERIOD:

After the murders at Cielo, and with the conclusion of the immediate first week of the investigation, is a part of the story that I call, the interstitial period. It is a time of the continuing story, extending into the early '70s, but with several new storytellers. One of these is actress Olivia Hussey, star of the film, Romeo and Juliet in 1968, and directed by Franco Zeffirelli.

Ms. Hussey enters the pre-murder Cielo story as a footnote. In her autobiography, Olivia details how she factored into Cielo Drive, by meeting with Rudy Altobelli and the actor Christopher Jones.



Olivia Hussey autobiography book cover


It begins with Olivia, who was living in London in 1969, received a call from Rudy Altobelli. Both he and Stuart Cohen were managing young actor Christopher Jones, and Jones prevailed upon Altobelli to call Olivia, inviting her to dinner. Olivia and Christopher apparently got on well together, and before long, she was visiting him on the set of his latest movie, Ryan's Daughter.



Christopher Jones and Olivia Hussey


Olivia developed a relationship with Jones, and became very close to Altobelli as well. Soon enough, Rudy asked Olivia if he could manage her career. Olivia acquiesced, and thus began the professional and personal friendship with Altobelli that would ultimately bring her to 10050 Cielo Drive. Shortly thereafter, Olivia received word that she was to be a recipient of the Donatello award for best actor of the year(rather like the Oscar)in Italy. Before leaving, Rudy made a phone call to California, and spoke to Sharon Tate, who along with Roman Polanski had rented the Cielo main house that spring. The Donatello award ceremony was held on August 2, 1969. Olivia spoke to Sharon the day before, on August 1st, a mere week before Sharon's death.

Rudy then handed the phone to Olivia, and as she described it, Rudy said, "Olivia, I want you to say hello to a lovely woman who's looking forward to meeting you. Her husband is the director Roman Polanski. Her name is Sharon Tate." She went on to say, "Sharon Tate sounded warm and friendly. She told me that she adored me in Romeo & Juliet and that I must come out to LA so I could meet her, Roman, and their new baby, who was expected any day."(Olivia Hussey, The Girl On the Balcony. Kensington Publishing Group, 2018. p. 106).

After the Donatello award ceremony, Rudy introduced Olivia to Roman Polanski, who also received an award. Olivia recalled, [H]e talked about Sharon and moving to Los Angeles, he talked about how beautiful Rudy's home was and how I must come and see it if I ever found myself in LA. As I left that night, I thought how nice it would be to spend time with this couple."(Hussey, p. 107).



Roman Polanski receiving his Donatello award, August 2, 1969


Later, the relationship between Olivia and Christopher Jones began to take a dark turn. Jones was obviously significantly mentally ill, brooding, and sometimes violent. Rudy tried to help, but to no avail. After Jones' film wrapped, Olivia called their relationship a wrap--she had had enough. To be sure, during the filming of Jones' movie, while he spoke to Oliva alone one night, he punched her violently in the abdomen. But while still involved with Jones, Olivia began a friendship with Dino Martin, son of legendary film actor Dean Martin. Dino himself would ultimately enter the story of Cielo, dating and later marrying Olivia Hussey.

Altobelli convinced Olivia to move to L.A. and she agreed. But she had one problem: she had nowhere to live. To Rudy, this was no problem at all, and he offered her the bedroom at Cielo in which Abigail and Voytek had been staying. She would move in during September 1969. But five weeks before moving into the main house, the murders took place. As Olivia claims, "Rudy was still in Italy when he received the call with the news...I didn't know Sharon, having only spoken to her on the phone that one time. I did know Rudy, and I saw how much it affected him: He had known Sharon. The crime was vicious and senseless, and it happened in his home. Which would be my home for the next four years. Let me say simply that the whole time I lived at Cielo Drive there was nothing strange or macabre about it. I was still very young, and by the time I arrived all traces of the crime had been erased. Certainly something awful had happened there--it was sometimes odd to stand in the living room and look out at the front lawn, knowing that those terrible things had happened right there--but it was not the house's fault. As someone once said, evil does exist, but it is always human."(Hussey, p. 113).



Olivia Hussey poolside at Cielo and in the former bedroom of Abigail and Voytek



Olivia Hussey in 1969


However, the interstitial period was not without its problems for Olivia Hussey. When she moved into Cielo, she was informed by Altobelli that, since he still represented him, and because he had nowhere  else to live, Christopher Jones would move into the guest house, just a few weeks after William Garretson vacated it. Jones was instructed by Altobelli to keep his distance from Olivia, and for a while, Jones did just that.

Meantime, Olivia enjoyed her new friendships with the Hollywood elite, including young Dino Martin. She enjoyed Hollywood nightclubs and meeting people who came to Altobelli's parties at Cielo. Olivia said of Altobelli, "Rudy, I was learning, had a malicious streak and a medieval kind of humor: He laughed loudest at others' misfortune or embarrassment. It was not a pleasant quality, but more often than not it was obscured by his flamboyant, circus-act personality."(Hussey, p. 120).

Olivia met Terry Melcher, who according to Tom O'Neill in his book, Chaos, revealed that Terry moved back into Cielo not long after the murders. Terry and Olivia began a "very casual" relationship, but ultimately she found Terry "brooding and moody and always high, and after about a month our relationship fizzled out."(Hussey, p. 121).



Terry Melcher at Manson trial


Olivia lived the good life at Cielo, which included, as she says, smoking weed with Altobelli. And ostensibly, like many in her circle, she was not frightened away because of the murders in August. But evil had not entirely left 10050 Cielo Drive after the murders. One might think that with the rise of the sun on Saturday August 9, 1969, the evil specter of the night before would have vanished, frightened away by the dawn. This was not the case, as Olivia unfortunately soon would learn: 

"There was a standing lamp in the corner of my bedroom[Abigail and Voytek's]at Cielo Drive. When the door was pushed open, say by one of Rudy's two dogs, a shadow would slide slowly, like an eclipse, from the ceiling to the floor...One night, I was almost asleep when the shadow began to move across the room. Out of habit I dropped my hand down off the bed and waited for Lady, Rudy's German Shepherd, to find it and snuggle up. This time, though, it wasn't Lady; it was Christopher. And he closed the door behind him. The next five--and--a--half hours were the worst of my life. Christopher was hearing voices. He was twitching. He was so far gone it was shocking.(Hussey, p. 124).

Olivia goes on to detail the terror of the night, describing how Jones beat and then raped her. Jones left the former bedroom of Abigail and Voytek at 5:30AM. "After a while, I managed to get up and walk gingerly into the kitchen, where Rudy took one look at me and started to scream."(Hussey, p. 125). With that, Rudy Altobelli immediately threw Christopher Jones out of Cielo forever.

Long story short, Dino Martin came to Olivia's rescue, and the two fell in love. The rape resulted in a pregnancy, and Olivia decided upon an abortion, as she did not want a child to link her to Jones. In the end, Martin and Olivia were married, and had a child together.



Olivia Hussey and Dino Martin. At Cielo?


The interstitial period saw many people come and go from Cielo Drive, including a certain Robert Conrad(not the actor), an exchange student from Yugoslavia studying design at UCLA. According to Rudy's testimony at the trials, Conrad was hired as a houseboy(probably to assume the duties of the previous caretaker, William Garretson), from February to August 1970.


Bob Esty and Stuart Cohen in the living room of 10050 Cielo Drive, 1970's



Bedroom of Olivia Hussey at 10050 Cielo Drive, formerly occupied by Abigail Folger and Voytek Frykowski


After the early 1970's what I call the interstitial period comes to a conclusion, ending as ambiguously as it started. Of course, many more years of the story of Cielo Drive would follow, with the addition of many now famous storytellers. Sadly, and for reasons unknown to me, Rudy Altobelli decided to sell his beloved house on the hill, in the late 1980's. He purchased the property in 1963 for $86,000, and sold it for $1.6 million. According to Tom O'Neill, both he and Altobelli--who had became friends--visited Cielo one evening after the original house had been demolished, and replaced with the house that presently stands there. It was a melancholy visit. Says Altobelli, "I lived in that house twenty--five years, four months, and thirty--eight hours[.]" O'Neill went on to say that Altobelli wound up living "in a converted garage in a neighborhood known for its gang activity."(Tom O'Neill, Chaos: Charles Manson, the CIA, and the Secret History of the Sixties. Little Brown and Company, 2019. p. 106).



Front yard of 10050 Cielo Drive, October 1, 1969



Pool area of Cielo



The house that occupies the former 10050 Cielo Drive property is currently up for sale, for a paltry $85 million, if one felt so inclined. Obliterated are the neat front lawn, manicured hedge and gardens, so treasured by the inhabitants of the original 10050. The utility pole that Tex Watson climbed has been moved to the other side of the road, but one of the original majestic fir trees in the front yard remains, known as the "Abigail Folger Tree," as it stood very near where Abigail died in the front yard of 10050.

I suppose if the hill on which this famous property sits could speak, it too would have a story to tell. We continue to hear about this famous address by Tex Watson and Patricia Krenwinkle at their various parole hearings, essentially parroting the official master narrative of Susan Atkins. But long after the Tex Watsons and Patricia Krenwinkles of our current world depart, we no doubt will not have heard the end of the stories of Cielo Drive. And we never will.


Saturday, September 3, 2022

Hotel California Lyrics Saga

 


Welcome to the ‘Hotel California’ saga: Missing lyric sheets, rare book dealers and a relentless Don Henley


BY NATE ROGERS

AUG. 25, 2022 6 AM PT

Los Angeles Times


In the late 1970s, Ed Sanders had a choice to make.


The writer and musician had earned a central place at the counterculture table in the 1960s, releasing influential work as a poet and publisher, as well as through his underground rock band the Fugs, but his book about the Manson murders, 1971’s “The Family,” brought him out of the underground and into the grisly mainstream. The increased attention led to offers for more deep-dive nonfiction work, and Sanders had narrowed the search for his next major project to be either an investigation of the 1978 Jonestown massacre or a band-commissioned biography of future Rock & Roll Hall of Famers the Eagles. He picked the latter. “I didn’t want to go down and smell those rotting bodies in the jungle,” he explained in a 1994 interview. “I did my spell in mass murders.”


Ed Sanders           npr.org

The Eagles’ co-leader Glenn Frey had befriended Sanders when the writer was reporting “The Family,” so Sanders was given unprecedented access to the group just as the seams of it were beginning to tear. He spent years working on the book, which was to have been titled “This American Band — The Story of the Eagles.” By the time the four-volume text was finished, however, the band had broken up. In 1982, People magazine reported that Sanders’ “official saga” of the Eagles was still forthcoming, but eventually the decision was made to shelve it. “It’s a good book,” reflected Sanders in ’94. “It’s an exhaustive account.”


A decade later, in the mid-2000s, a rare book dealer, Glenn Horowitz, was presented with the opportunity to buy an item of great interest to music fans: Eagles co-founder Don Henley’s handwritten lyrics for much of the band’s landmark 1976 album “Hotel California” — including for “Life in the Fast Lane,” “New Kid in Town” and the album’s era-defining, Grammy-winning title song. Some of the lyrics were in draft form, offering a window into alternative versions of the songs, and some had notes and lyrics written by Frey as well. The pages served as one of the more significant finds in recent rock ‘n’ roll history, culturally and financially valuable in equal measure.


“Hotel California” holds the title of being the second best-selling studio album of all time, behind only Michael Jackson’s “Thriller.” But even with that statistic, its impact can still be underplayed. The fifth album of the Eagles’ storied, debauchery-filled run, “Hotel California” was the culmination of years of momentum they had been building, and served as the celebratory banquet for the entire Southern California soft-rock sound that they had adopted and perfected. (Henley and Frey were from Texas and Michigan, respectively.)


“I’ve learned over the years that one word, ‘California,’ carries with it all kinds of connotations, powerful imagery, mystique, etc., that fires the imaginations of people in all corners of the globe,” Henley explained in a 2016 interview with Rolling Stone. He told of a time when he was in “a remote village in a mountaintop jungle in Honduras,” without plumbing or electricity, and a local approached to show his “Hotel California” tape. “The song got around,” Henley said.


Today, 45 years later, Henley and the Eagles are hopscotching the country, playing the album in its entirety to sold-out arenas, in a multi-year tour that could likely continue indefinitely, if they wanted it to. When he sat down to write the words for the album on yellow notebook pages (based on concepts developed between him and Frey), it was a moment that changed the course of popular music.


What happened to those pages between 1976 and 2019 is the focus of an indictment handed down last month by Manhattan Dist. Atty. Alvin Bragg, in which three prominent figures in the entertainment artifact world — Horowitz, Edward Kosinski and Craig Inciardi — were charged with crimes related to their efforts to sell the “Hotel California” lyric sheets.


“The manuscripts were originally stolen in the late 1970s by an author who had been hired to write a biography of the band,” reads the D.A. office’s press release summarizing the indictment. “Despite knowing that the materials were stolen, the defendants attempted to sell the manuscripts, manufactured false provenance, and lied to auction houses, potential buyers, and law enforcement about the origin of the material.”


Glenn Horowitz glennhorowitz.com

Horowitz, who, according to the D.A.’s office, purchased the documents from said author in 2005, has been charged with conspiracy, attempted criminal possession of stolen property and hindering prosecution. Kosinski and Inciardi, who both subsequently purchased the manuscripts from Horowitz, are charged with possessing stolen property and conspiracy. All three pleaded not guilty, and their lawyers released a statement saying that “the D.A.’s office alleges criminality where none exists.” (The attorneys had no further comment.)


It’s a high-profile case that surprised people within the rare book and memorabilia world, partially because it’s typical for disputes centered on provenance — the history of an item’s ownership — to remain in civil litigation, rather than criminal. But it was also a surprise because of the caliber of the people involved — particularly Horowitz.


“I’m like, is that the Glenn Horowitz?” said Travis McDade, a professor at the University of Illinois College of Law specializing in rare manuscript theft, describing his first impression of the case. “Because he’s a big deal, especially when it comes to archive stuff. He sells high-profile archives to big institutions. He’s at the top of the game when it comes to that sort of thing.”


Horowitz, 66, has been a big shot in the rare book world for many decades, but really separated himself through his work arranging and placing, at various institutions for vast amounts of money, the literary archives of household names: Kurt Vonnegut, Joseph Heller, Gabriel García Márquez. His brokerage of Vladimir Nabokov’s estate in 1992 is said to have been the first of its kind to surpass $1 million, and, in 2016, he placed Bob Dylan’s archive for approximately $20 million. More recently, Horowitz was the dealer behind Eve Babitz’s archives landing at the Huntington Library, Art Museum and Botanical Gardens in San Marino. His fee reportedly ranges from 10% to 20%.


Inciardi, 58, is not famous like Horowitz, but his presence in this case is, to some, even more peculiar, due to his role as director of acquisitions at the Rock & Roll Hall of Fame, where he’s worked for nearly three decades.


“It’s unprecedented, in my experience, that someone who works for an institution is also dealing in this kind of material privately,” said a person with knowledge of the rare memorabilia industry, who spoke on the condition of anonymity due to the sensitive nature of the subject matter. “He’s been doing this for a long time. And no one could understand how somebody whose job it was to acquire things for an institution could be buying and selling stuff independently.” (When reached for comment, the Rock Hall provided a statement explaining that Inciardi had been suspended from his position and would remain so until the conclusion of an internal investigation.)


According to the indictment, Horowitz and Inciardi, along with Kosinski, 59, spent years working to sell the documents, splitting the 100 pages or so of the whole set — cited in the indictment to be worth over $1 million — into separate auctions at different institutions. The first instance was in 2012, when four pages of working lyrics for “Hotel California” were listed by Kosinski’s Gotta Have Rock and Roll auction house, which led to a communication with Don Henley’s attorney. Before long, a deal was arranged for Henley to purchase those pages for $8,500 — but a few years later, more pages were listed for sale by Sotheby’s, and another offer was sent to Henley to purchase some of them. That’s when things became far more antagonistic.


“[Longtime Eagles manager] Irving Azoff and Don Henley are the last people on Earth you would want to get into a fight with,” said the person with knowledge of the rare memorabilia industry. “Part of Irving’s reputation — and I think it’s something he takes great pride in — is being combative to the maximum. And Henley as well.” (Azoff and Henley declined to comment for this story.)


The list of previous legal disputes involving Henley, 75, is long and varied. Henley has battled with his former Eagles bandmate Don Felder, his record company Geffen Records and various other entities: In 2015, he used a lawsuit to remove an advertisement for a clothing company that jokingly used his name, and, in 2017, the Eagles filed a lawsuit against a Mexican resort calling itself the “Hotel California” in order to cease any implied association with the band. In 2011, when Frank Ocean included a reimagining of “Hotel California” on his mixtape “Nostalgia, Ultra,” Warner Music Group, the owner of the master track of “Hotel California,” threatened to sue if Ocean so much as performed the song in public. Henley later called Ocean “a talentless little prick.”


Given Henley’s track record, getting him to purchase back any of his own material was a surprising initial victory for the three dealers. But when an opportunity was subsequently offered to buy more pages piece by piece, Henley’s representatives instead “lodged complaints” with the Manhattan D.A., as a spokesperson for the D.A. explained via email. Because it was within the D.A.’s jurisdiction, the complaints led to an investigation.

Don Henley usatoday.com


“One of the problems we see in the fine art world a lot,” said Katherine Wilson-Milne, an attorney specializing in art law and the co-host of “The Art Law Podcast,” “is that there’s no one in the current chain of the market that’s interested or benefits from finding out that there’s a problem. … [Henley is] a rare person who’s interested in kind of exploding the chain.”


As for the biographer referenced in the D.A.'s press release, they are not currently being charged for any role in the saga, and are referred to in the indictment only as “Individual 1.” But several people with knowledge of the case, speaking under the condition of anonymity, cited Sanders, now 83, as having been the author at hand — and interviews and research suggest that Sanders was the band’s only documented, authorized biographer in the late ’70s. Sanders did not return requests for comment, but there’s one bit of online evidence that further establishes his role. Using the Internet Archive to see how it appeared in 2016, Sotheby’s original online listing for an additional 14 pages of “Hotel California” lyrics describes the item’s provenance as follows: “Don Henley and Glenn Frey — Ed Sanders — Present Owner.”


Who, exactly, the rightful owner is of the “Hotel California” papers is at the center of the case. In the indictment, the earliest description of how “Individual 1” ended up with the documents comes in the form of an email that person sent to Horowitz in 2005: “I was staying at Henley’s place in Malibu,” Individual 1 wrote in the email, “and had total access to his boxes of stuff, and there was a lot, and I compiled a box of files I wanted and his assistant mailed them to me.” Then, noting Henley’s propensity to be “aggressive,” Individual 1 suggested that “maybe we don’t want to sell them at all?”


In the years that followed, the details of this provenance appeared to shift with relative ease, often following overt suggestions and guidance by Horowitz and Inciardi, as documented in a chain of emails cited in the indictment. In 2012, for example, Inciardi sent an email to Horowitz in which he wrote out a script of sorts for Individual 1 to use, in order to claim provenance for the documents. “It was about 35 years ago and my memory is getting foggy!” Inciardi wrote in the voice of Individual 1. Then: “I remember finding the material discarded in a dressing room backstage at an Eagles concert.” Horowitz replied, “[Individual 1] won’t go for that. Let’s talk later.”


At one point, Horowitz noted in an email to Inciardi that Individual 1 was “almost ready to have his ‘explanation’ shaped in to [sic] a communication.” In 2017, after Frey’s death in 2016 at the age of 67, and as the D.A. was beginning to inquire about the documents, Horowitz wrote to Individual 1, “In an earlier communication you once suggested Frey was the person from whom you got the document. If Frey, he, alas, is dead and identifying him as the [sic] source would make this go away once and for all. Your thoughts, please?” According to the indictment, after some back and forth, Individual 1 later sent an email that appeared to be a new declaration of provenance, pointing to Frey as being the provider of the lyric sheets.


“There’s a lot of good faith misunderstandings when it comes to collections sold by one person to another,” McDade, the specialist in rare manuscript theft, noted, speaking specifically about the detail of Frey being seemingly roped into this after his death. “I mean, that stuff happens. But this seemed to be a deliberate effort to obfuscate who the rightful owner was.”


This is not the first controversy involving Kosinski. In 2015, an arbitrator ruled against him for having cut out a client from the sale of high-value Michael Jackson memorabilia; the lawsuit filed to affirm the ruling states that Kosinski was ordered to pay over $600,000. He was also embroiled in a court battle with Madonna, who attempted to stop Gotta Have Rock and Roll’s sale of her personal belongings — including a letter written to her by Tupac Shakur — which had been provided to the auction house by Madonna’s former friend. A judge dismissed the case in 2018 partially because the statute of limitations to claim the items had passed.


As for Horowitz, a colleague of his said, in a 2007 profile in the New York Times, that Horowitz describes himself as a “terrific combination of a scholar and a grifter.” In a recent podcast appearance, Horowitz proudly confirmed his status as “notorious” in the industry.


“There is a bit of a black box involved in auction items that are in part valuable because they’re mysterious and elusive and exciting,” said Nick Rosenberg, one of the attorneys who won the Michael Jackson claim against Kosinski. “But that also provides a lot of opportunities for either genuine mistake or outright fraud. … It is a tough industry.”


Various factors — including the rise of both baby boomer-era nostalgia and a boomer class of high-end investors — have driven an exponential growth in the value of rock ‘n’ roll memorabilia. In April 2020, Paul McCartney’s “Hey Jude” lyric sheet was sold by Julien’s Auctions to an anonymous buyer for $910,000; a few months later, Julien’s sold Kurt Cobain’s guitar from the “Unplugged” concert for $6 million to Peter Freedman of Rode Microphones. “The biggest reason that this market has exploded,” Darren Julien, the CEO of Julien’s, recently told the Journal of Antiques and Collectibles, “is due to the hedge funds and financial institutions who are looking at rock and roll historical artifacts as blue chip investments and a way to diversify their portfolios.”


“Rock ‘n’ roll memorabilia is exciting, it’s fascinating, it’s desirable,” said Rosenberg, the attorney. “I think that we end up placing a lot of false comfort at times in the purported provenance of the item or in our general desire to trust established entities.”


If the Eagles case reaches trial, the D.A. will presumably have to demonstrate beyond a reasonable doubt that the items were stolen in the first place, which may be tricky. “You gotta have proof — you have to have a real police report,” said Pete Siegel, Kosinski’s former partner for over 15 years. (Siegel is not named or implicated at any point in the indictment.) “And as far as Henley, I think he [filed a report] much after the fact.”


The D.A.’s press release seems to confirm this timeline, saying that, after Henley learned that Inciardi and Kosinski were attempting to sell portions of the documents, the Eagles’ drummer “filed police reports, told the defendants that the materials were stolen, and demanded the return of his property.” A source with knowledge of the filings said that Henley filed police reports with the Los Angeles County Sheriff’s Department in April 2012 and June 2014.


If Horowitz is convicted, he does not face mandatory prison time, but his sentence could range from five to 15 years in prison, according to the D.A. spokesperson. If Kosinski and Inciardi are convicted, they face a minimum of one to three years in prison and a maximum of 8.3 to 25 years. In the event of a conviction, the “Hotel California” papers would be returned to Henley, and, if he wanted to, he could still theoretically pursue a civil case as well.


One consideration several people highlighted is that money probably wasn’t the main motivating factor for any of the dealers implicated in the “Hotel California” scandal. All three had established successful careers, and Kosinski is married to a New York real-estate heiress, Jacqueline LeFrak. “[Kosinski] doesn’t need the money,” Siegel said, defending his former partner. “If he sold it at auction, you’d make, let’s say, 50 grand maybe? … If he believed Henley was telling the truth and had documentation, Ed would be the first one to give it back.”


If it wasn’t the money, what pushed Horowitz, Inciardi and Kosinski to go to such lengths to sell the “Hotel California” papers, despite hurdles facing them at every turn?


Margaret Barrett, a freelance consultant specializing in pop-culture memorabilia, thinks it could be the mystique of the item — the allure of playing a role in a new chapter about one of the most fabled entries in the American songbook. “[‘Hotel California’ is] huge,” Barrett said. “Everyone knows that song, and this is why it’s gotten to this level.”


Barrett brought up the example of the handful of surviving pairs of Judy Garland’s ruby slippers from “The Wizard of Oz,” which have been a ceaseless source of fascination in the collecting world — and at one point were the focus of an FBI investigation to track down a stolen pair.


“It’s just these shoes,” Barrett said, “that have captured the public’s imagination — mainly the American public. And people get consumed, and will do things about, through, for, [and] with them that they wouldn’t ever do otherwise, because they have some kind of magic — magic that we prescribe to it. But it’s still magic.”


original article

Thanks to one of our readers, Jennifer, for tipping us to this story!

Monday, August 29, 2022

Charles Allen Beard

 

There are a few Manson Family members or associates that little or next to nothing is known about. Charles Beard is one of those people. In this post we will tell you all about Charles and what happened to him.

Lynette Fromme wrote in her book Reflexion a little about Charles Beard in the name she used for him, Chuck Grey with an asterisk. She writes at the beginning of her book, "The persons and events described in this book are real and true. In some instances, pseudonyms have been used to protect the privacy of individuals. In such cases the altered names are indicated by an asterisk (*) the first time they appear."

Lyn writes on pages 278 and 279. "Chuck Grey* wasn't a bad kid- at over six feet tall, hardly a kid at all- but in the eyes of the law he was underage. He had lived with the law all his life. Both his parents were police officers. He didn't say so until he realized we wouldn't hold it against him. Charlie told him the cops had been running us all over the county, and he wondered if his dad could help to keep them off our back. Chuck rolled his eyes.

"He's been on my back for seventeen years," he said. 

"A bully?"

"You could say that. We hardly know each other. All he knows how to do is give orders. They're never at home much anyway, and when they're not at work, they're sleeping."

"Are they looking for you?"

"Not really, they don't care, but they put on a show 'cause they don't want people to think they're bad parents."

Chuck was man-some, with green eyes that looked hungry for acceptance. He shaded that look beneath a low brow and a "fuck it" attitude, spending most of his time at the farmhouse."

Lyn continues on page 318. "One sunny day I heard a commotion outside, and Pearl came into George's house looking traumatized. From the doorway I saw two sheriff's squad cars in the yard, and seventeen-year-old Chuck Grey in the back of one of them. A scatter of people who had stopped in their tracks of their daily routines looked stunned. Finally, someone explained to me that Chuck, the son of two police officers, had just been arrested for rape. A woman in the first squad car had identified him as the man who hijacked her at knifepoint on Santa Susana Pass not a mile from The Ranch, and raped her on the backseat of her car. As shocking as the charge, the woman was almost sixty years old.

Murmurs of disbelief and denial failed to pick up momentum. The complacency on Chuck's face announced that he had done the deed. Those of us wondered why, based upon his good looks and access to girls, didn't understand rape. Chuck went away and didn't come back."

 I offer Lyn's recollections because it's about as close we are going to get to any background on Chuck other than what is on Deemer's List.

 


Chuck was born in Sacramento with the name and DOB as is on Deemer's list. His mother remarried a man with the last name of Green in 1962 when Chuck was 10-years-old. Chuck used his step-father's last name as his own.

Chuck was arrested for kidnapping and rape on July 21 1969. The rape occurred on July 17 1969 at 2:30 am, it was reported to law enforcement at 9:50 am that same day. The location of the kidnapping and rape according to the report was the N/E area of the Chatsworth hills.

The victim, Marilyn Marshall, passed away in 2004. She was 32 years old at the time of the kidnap/rape, not 60 as Lyn thought.

In the early morning hours of July 17 1969 Marilyn and a companion, Ronald Black went up in the Chatsworth hills for a little alone time in his vehicle, a white van.

The suspect, Chuck, was said to be driving a '57 Ford, White, two-door, license plate HET 365.

What follows is the narrative on the police report. It is difficult to read because it is handwritten and not a great copy. I've transcribed it as well as I can, there are a few words I could not make out or deduce from what had been written. It's full of abbreviations which I explain the first time they appear in the report.

The vict [victim] stated that on the abv [above] date and time she was in the Chatsworth hills with wit 1 [Witness 1] Black, Ronald (arrest GTA RPT booking [there's a number here but I can't make the whole thing out] Vict and wit 1 were outside of wit 1 veh [vehicle]

Susp [suspect] came from behind vict and stated "Don't move". Vict felt a poss [possible] 22 rifle next to her back and shoulder and stated "You've got to be kidding"

Susp stated "No I'm not, get in the car I'll tell you where to drive" Vict complied and wit 1 drove in front of the vict in a white van ???

Vict lost sight of wit 1 at which time the susp stated "turn here" (indicating RT) vict complied and after completing turn slowed down and jumped out of the veh. Vict began to run and suspect followed

Susp caught vict and held a 10" hunting knife up to vict and stated "I won't hurt you" and threw knife to side, susp then removed vict clothes and his own and forced vict to lie down ??? west at which time susp had sexual intercourse with vict, penetrating vaginal orfice.

After completing sexual intercourse with vict susp stated "My name is Iverson. What's your name?" vict gave name and susp stated "If you tell the cops I'll kill you and your kids"

Susp then left in an unk [unknown] direction. Vict ran to a paved public highway and called for assistance.

Injury: MT at Northridge receiving by Dr. Collins who stated, laceration, contusion, abrasion ?? ???? shoulder

Pelvic exam- some dirt (earth) and pieces of leaves in and about the vaginal area Vaginal and cervical smears taken slides to LAPD Sutured ?? laceration on back of head.

The report written after Chuck's arrest says that he was booked under the name Charles Alan Manson with a birth date 12-31-46. Once in court for the arraignment he told the court he was 17 years old. His mother provided a birth certificate and his true name to the court. Chuck then had his case transferred to juvenile court.

The evidence against him was slides that contained sperm and a finger print that was Chuck's found on the victim's vehicle.

Since the case was bound over to juvenile court there are no more documents relating to this case. Juvenile records are sealed and I'm kind of surprised that these two documents still exist. I can only assume Chuck was convicted and served some time.

Documents relating to this case.

Chuck's story doesn't end there and what follows is a mind bender.

December 13 1972 Charles Alan Green, 21, of Sacramento was arrested along with two other men, Edwin Lee Earle, 21, and Patrick Leo Mlenek, 19, for the murders of two Mexican nationals who were found in a shallow grave near the town of Folsom. Earle was armed with the revolver thought to be used in the killing. Subsequent articles say a total of five people were picked up and questioned but released without charges. Earle was the sole person tried and convicted of the murders. This gives you an idea who Chuck was running with after being released from juvenile hall.


 

 Many thanks to Starviego who started a thread on Chuck Green at MoA'69 and Taborfresca who posted a link to an appeal which sealed the deal in identifying Charles Green in the appeal as the same Chuck Green who was with the Family.

August 24 1977 a 25-year-old Chuck Green married 16-year-old Karen Fredrickson in Carson City Nevada. They had a rocky relationship. By October 1977 the two were on the verge of splitting up. On October 11 1977, along with a friend of Chuck's, he and Karen went for a drive to a neighboring county. Ultimately Chuck shot Karen in the face with a shot gun and killed her. He was quickly apprehended and charged with murder, robbery and kidnapping, The cruel and callous manner of her death is described in the appeal.

Taborfresca noticed a footnote in the appeal (FN 31) that read "On several occasions the report indicated that defendant was marginally involved with the Hell's Angels motorcycle gang and had used the alias "Charles Manson." "



Chuck received the death penalty for murdering his young wife. He was the first person to receive the death penalty after it was reinstated in California. 



The appeal was beneficial to Chuck. The appeals court threw out the kidnapping and robbery charges. Following the 1977 Furman-Gregg death penalty cases the California legislature, like many states, decided that there should be one of six special circumstances to be met for the death penalty to be imposed by the jury. The DA trying the case used the special circumstance of the murder having been committed during the act of a felony crime. He named two, in fact, robbery and kidnapping. The appeals court threw out robbery because it occurred after the murder. The murder did not occur during the commission of the robbery.

The kidnapping special circumstance was thrown out as well because the DA, at trial, argued three separate kidnapping events, 1. Picking Karen up 2. Driving her to the river and 3. Walking her to the killing spot (90 feet). The appeals court didn’t consider #1 because she went willingly as a result of a lie for kidnapping to be actionable the victim must act in response to force or a threat of force. It didn’t consider #3 because the distance she was forced to travel was too short. That left #2 which they agreed was permissible but because the appeals court didn’t know which of the three the jurors based their decision on (or perhaps all three) the kidnapping special circumstance was thrown out. Chuck’s sentence was converted to life in prison with the possibility of parole. (Thank you, David, for explaining to me what the appeal meant)

Chuck is still in prison, under the name Charles Alan Green. He is at Mule Creek Prison where Tex Watson was housed for many years until his transfer to a San Diego prison. I have no idea if the two had a reunion or if they were there at the same time. Chuck has had more than 10 parole hearings and has been denied or he has stipulated unsuitability on the parole hearing date. On February 5 2020 Chuck was granted parole, on May 29 2020 the governor reversed the parole board’s decision. Since I haven’t read the transcripts, I don’t know if the Manson taint had anything to do with the reversal.

Karen’s parents went to Chuck’s parole hearings to give victim’s impact statements any time he has come up for parole. Her father died in 2015.

It was Doris Tate, Sharon Tate’s mom, who was instrumental in getting Proposition 8, the Victim’s Rights Bill passed in 1982 so that Karen’s parents had a right to have a say in what happened to their daughter’s killer.


Los Angeles Times

Thanks to Buntline who wouldn't let go of Charles Allen Beard until he knew the whole story.

UPDATE! This just in from Cielodrive who was able to get a copy of Green's parole reversal. All I can say is WOW, this guy was bad news.



Cielodrive was also able to get some mug shots of Green.