Tuesday, December 27, 2022

The Evolving Mythology of the “Manson Girls”

 The Evolving Mythology of the “Manson Girls”

The so-called Manson girls are pop culture fixtures. But we’re just starting to understand them.

original article

Vox/Constance Grady



 Leslie Van Houten, Susan Atkins, and Patricia Krenwinkel laugh as they enter the courtroom to face sentencing for the Manson family murders. Photo by Getty Images


It was amazing the respect these girls had for Charlie. They just lived and breathed by him.


Once when we were working on the Christ story, he demonstrated the submission thing. He turned to Lynne and said, “Lynne, come here and kiss my feet”; and she got down on her knees and kissed his feet and sat down. And then he said, “Now I will kiss yours,” and he did. There was never any explanation or questioning. They just did it.

—Charles Manson’s record producer Gary Stromberg to Rolling Stone, 1970


Over fifty years ago, the Manson family murders shocked Hollywood, announced the final death of the utopian dreams of the 1960s, and gave birth to the mythology of the Manson girls.


They are nearly always called the Manson girls, all of them, from the teenagers to the grown women. They were followers of Charles Manson who lived with him on his ranch and who, on his orders, committed brutal and bloody murders, and they are central to our cultural fascination with Manson himself.


Charles Manson as a person is honestly not that interesting. He was a mediocre failed musician; he built his cult on recycled Scientologist ideas and an elaborate theory about a race war.


But Manson had the “Manson girls,” and they are what made him fascinating to so many people. Contemporary news coverage of the 1970-’71 Manson trial tended to pant over the Manson girls, although it treated them mostly as anonymous objects: Manson was so powerful, those accounts seem to say, that he had all these beautiful obedient hippie girls falling all over him. The girls were essentially interchangeable, as far as those stories were concerned, and they would do anything Manson asked of them. Can you believe it?


And that narrative has stayed in place for decades. “Submissive, brainwashed, horny little teeners . . . who do exactly what you want before you even know what that is” is how Thomas Pynchon described the Manson girls in his 2009 novel Inherent Vice. “You don’t even have to say a word out loud, they get it all by ESP.”


In our cultural narrative, the Manson girls are the key to Manson’s allure, and they are also his accessories. They are meaningful to the extent that they illustrate Manson’s unnerving charisma, but their position as individual human beings has no place in the Charles Manson mythology.


It’s only within the past few years that as a culture, we’ve begun to turn away from that story and have a conversation about who the so-called “girls” were as human beings, and where they are now. That conversation is part of a larger turn toward reevaluating women’s legacies — but it’s only just beginning to take off.


In 1969, the Manson girls helped build the Charles Manson mythology



 Susan Atkins, Leslie Van Houten, and Patricia Krenwinkel enter the courthouse to be tried for the Manson family murders in 1970. Bettmann/Contributor 


This Manson, I’m not going to say that he’s got hypnotic powers, but he’s got some kind of a strength because he’s able to get this girl from Alabama to come out here, and she could have stayed in Alabama another six months.

—Anonymous prosecutor for the LA District Attorney’s Office to Rolling Stone, 1970


The world met the Manson girls during the trial of Charles Manson, when he and three of his followers went to trial in 1970 for the 1969 murder of eight people, including actress Sharon Tate. Tate’s celebrity guaranteed that the media would have been interested in the case no matter what — but what made it a bonanza, with newspapers breathlessly reporting on every detail, was the brutality and apparent randomness of the killings.


Manson had no real connection to the victims: he’d picked them out in part to cover up other crimes and in part because he wanted to spark a race war. The victims were all stabbed numerous times — including Tate, who was pregnant — and investigators found the word “pig” written on the wall in Tate’s blood when they arrived.


Adding to the media’s interest was the knowledge that Manson hadn’t actually committed any of the murders himself. He’d gotten his followers to do it. And a number of his followers were young women.


That’s when the press began to really latch onto the story of the Manson girls.


There were the three women who were tried with Manson: Susan Atkins, Leslie Van Houten, and Patricia Krenwinkel, who the Associated Press reported arrived to the final day of their trial in “prison uniforms with ribbons in their long hair,” famously shaved off that hair after Manson shaved his head partway through the trial, and shocked the nation by laughing as they walked into the courtroom to be sentenced.


The country was thrilled by the contrast between their youth and femininity and the viciousness of their crimes. “The second witness is scheduled to be a soft-spoken, angelic-looking young woman who is accused of being a participant in at least eight brutal and senseless killings,” read one article published as the trial began, under the breathless headline “Hippie Girl to Tell All in Tate Murder.”


There were also the girls who testified against Manson: Linda Kasabian and Dianne Lake. Reporters described Lake as “the petite auburn‐haired witness” and Kasabian as a “petite blonde,” noting that Kasabian “candidly admitted extensive drug taking, stealing money and extramarital relationships with numerous men, including the 35-year-old Manson.”


Finally, there were the girls waiting for Manson outside the courthouse. They served as the kicker to the AP’s account of the trial: “Through it all,” the AP wrote, “a band of loyal Manson clan women maintained a vigil in the street outside the Hall of Justice, waiting for their ‘father’ to be freed from ‘the tower.’” Those women, too, shaved their heads after Manson shaved his.


As the Charles Manson story took shape, the idea that he had some sinister and possibly supernatural influence over all these young women became central to his mythology — especially the idea that life on the Manson ranch was probably just one nonstop orgy. When an anonymous prosecutor for the DA’s office talked to Rolling Stone about the Manson case in 1970, he noted that he knew of a divorced biker who used to stay at the Manson ranch because the girls would take care of his baby for him, and “’cause he used to get free pussy.”


“He used to admit it,” the prosecutor said. “He’d say, this is the greatest thing next to mother’s milk. They’d bring you food, make love to you any time you could.”


“There were about 12 girls,” Manson’s record producer Phil Kaufman explained in the same article. “Every time Charlie saw a girl he liked, he’d tell someone, ‘Get that girl.’ And when they brought her back, Charlie would take her out in the woods and talk to her for an hour or two. And she would never leave.”


The Manson girl mythology had everything pop culture in 1969 could want: the gruesome killing of a movie star, beautiful young girl murderers, the counterculture gone wild, and a titillating hint of a hippie-ish free love ethos. What could possibly make for a better tale?


Over time, it became clear that the Manson girls were victims. They remained a part of the Manson mythology.


I can get along with girls, they give up easier. I can make love to them. Man has this ego thing [Charlie stiffens up] holding on to his prick. I can’t make love to that. Girls break down easier.

—Charles Manson to Rolling Stone, 1970


Over time, it gradually became clear that the Manson girls weren’t just cold-blooded killers who were oddly devoted to Manson. They were victims — and that, too, became part of the Manson mythology.


The lead prosecutor on the Manson case, Vincent Bugliosi, turned his account of the Manson family into a book, Helter Skelter: The True Story of the Manson Murders, which would become the best-selling true crime ever written and would set the narrative for the Manson story going forward. Bugliosi reported that Manson paid his rent on the ranch where he lived by ordering the Manson girls to have sex with the older man who owned the place, and that the infamous Lynette “Squeaky” Fromme, who tried to assassinate Gerald Ford in 1975, was so called because she used to squeak every time the man pinched her thigh.


Life on the ranch, in other words, wasn’t a nonstop orgy because the Manson girls particularly wanted it to be. Group sex was frequent because Manson wanted it that way, and he had brainwashed the girls staying with him into doing what they were told.


Bugliosi’s story has since been found to have plenty of holes in it — but his account of the Manson girls as submissive dupes whom Manson could use as sexual bartering chips became the way the country talked about the girls going forward.


“Manson had an old con’s skill … at picking the members of his band,” explained the New Republic in 1975, in a review of Bugliosi’s book. “The girls were young, homeless, fanciful, at war with their parents — the boys were kept in line by being given the girls.” And in this story, Manson’s influence over his followers proved not that Manson was an abusive brainwasher, but that he was something more special and mystical than that. “There was something else in Manson that could turn them [the Manson girls] from borderline psychotics into psychopathic killers of unparalleled cruelty,” the New Republic wrote. “I don’t think there’s any possible doubt that Manson was a demon — not possessed by one, was one.”


Although this updated narrative positioned the girls less as pure monsters and more as victims who were molded into killers by a demon, it was not particularly interested in the Manson girls as human beings. It was mostly interested in the titillating idea of fanciful young girls who had been brainwashed by a demon into doing absolutely anything. The girls were still important mostly as living props who prove Manson’s power.


There’s a Manson girl counternarrative now. But the old story still has pop culture clout.



 Leslie Van Houten before the Board of Prison Terms Comissioners in 2002. Van Houten’s request for parole was denied. Damian Dovarganes/AFP/Getty Images 



I was feeling disenfranchised with Charlie, and I wanted him to want me, and so he took me inside and I thought we were going to make love but instead he turned me around and he sodomized me. When he was finished, he said, “That’s the way, you know, we do it in prison,” and I didn’t really trust him after that.

—Dianne Lake to ABC, 2019


Of the three so-called Manson girls who were convicted of murder and went to prison, two of them — Leslie Van Houten and Patricia Krenwinkel — are still alive and still in prison. The third, Susan Atkins, died of brain cancer in 2009 at age 61. She, like Van Houten and Krenwinkel, was repeatedly denied parole throughout her sentence.


In 1972, Atkins, Van Houten, and Krenwinkel became the center of an experiment from the Santa Cruz Women’s Prison Project, run by radical feminist criminologist Karlene Faith. As reported by American studies professor Jeffrey Melnick in his book Creepy Crawling: Charles Manson and the Many Lives of America’s Most Infamous Family, Faith and her coalition of feminists dedicated themselves to rehabilitating the three women. “They treated the women of the Manson family like active subjects — as people who could liberate themselves,” writes Melnick.


Faith and her cohort created what Melnick describes as “a program to raise the consciousness of the imprisoned women according to feminist principles.” They taught their pupils about the law, gender studies, ethnic studies, and psychology — and also poetry and music and politics.


Atkins, Van Houten, and Krenwinkel responded to the program by apparently becoming model prisoners. They earned advanced degrees and commendations for helping their fellow inmates, and the staff at their prison has given them enthusiastic character statements at parole hearings. Van Houten has been recommended for parole three times since 2016, only to be denied by California’s governor every time. Krenwinkel is now the state of California’s longest-serving prisoner.


The women of the Manson family who didn’t go to prison have spoken out about their treatment at Manson’s hands, and they are beginning to find an audience. Dianne Lake says she first became involved with Manson when she was just 14 years old, and that he sexually assaulted her. “I feel very strongly,” she told ABC earlier this year, “that it’s only by the grace of God that I was protected throughout this, and I was a victim. You know, I was abused, I was neglected, I was abandoned. … I hope that my story will help tell a cautionary tale.”


And as these women continue to insist on their identities as not just “the Manson girls” but as agents and human beings in their own right, popular culture is starting to take notice. 2016 saw the release of the widely buzzed-over novel The Girls by Emma Cline, which took place in a Manson family-like cult but treated its Charles Manson analogue as a trivial distraction from what really mattered; namely, the relationship between two of the teen girls of the cult. Mary Harron’s film Charlie Says, which came out this May, turned its focus to the rehabilitation of Atkins, Van Houten, and Krenwinkel in prison.


But stories like Charlie Says and The Girls are still counternarratives as far as popular culture is concerned. They exist now, but they have to push back against the dominant narrative of the Manson family, the narrative that we see reiterated over and over again in films like Quentin Tarantino’s Once Upon a Time in Hollywood: the story about the sexy murderous hippies called the Manson girls, who were, as Pynchon put it, “submissive, brainwashed, horny little teeners.”


That pushback is part of a larger project that has unfolded over the past 10 years or so, one that took on a special urgency once the #MeToo movement went viral in 2017. We’ve begun to reevaluate the legacy of women we once discarded as hysterical and oversexed and used as the punchline in dirty jokes, the Lorena Bobbitts and Monica Lewinskys of the world. We’ve begun to ask if perhaps these women might have been badly hurt both by the world and by the way we talked about them afterward, and if perhaps their personhood and their stories are worth more thoughtful consideration than they’ve been granted in the past.


But the culture has only just begun to ask these questions. And the lingering, beloved trope of the Manson girls shows that there’s a long way to go before we overwrite the old stories with the new.

12 comments:

Torque said...

Thanks for this, Deb. The last paragraph of this article is of the greatest interest to me. It speaks of the personhood and stories of the Manson girls, and that "there's a long way to go before we can overwrite the old stories with the new."

Indeed, we could just as easily apply this same thinking to the victims of these girls(and other members of the Family). Of the victims, Gary Hinman, Sharon Tate, Abigail Folger, Voytek Frykowski, Jay Sebring, Leno and Rosemary LaBianca, and Donald Shea, we know very little about their personhood and stories.

At best, Sharon Tate and Jay Sebring probably evidence the greatest amount of information about their actual lives. The remaining victims' lives are basically summed up in what I call the "Wikipedia version", or as footnotes. Who were these people? Rarely a quote has been discovered about them originating from themselves.

To be sure, from the outset, these victims were branded by the press as "rich hippies," and that they brought their demise upon themselves. To this day these people are blamed by many in their own deaths. Frankly, the words of Roman Polanski, in his press conference shortly after the murders comes to mind, when he defended the integrity of his wife against the slanders of the corporate and alternative press.

I have made it a project of mine to piece by piece try to reestablish a greater understanding of who at least some of these people were in life, especially in the case of Abigail Folger. We know in graphic detail their status as victims, but most of that story was told by Susan Atkins.

I fear we run the risk of these victims forever remembered as just that: victims. They all have much more to tell about their personhoods and stories than has been written about them.

Torque said...

I just realized that I forgot to include Steven Parent in the list of victims in my previous comment. My apologies.

Monica said...

Thank you for this, Deb. You perfectly stated many things I have been thinking but couldn't quite explain.

D. said...

The fact the lunatic feminist who wrote this wants to express sympathy for Lorena Bobbitt shows what sort of mentality we're dealing with.

Also, never mind the fact Susan was rolling with criminals and pulling guns on cops prior to meeting Manson, or Kasabian jumping from drug ring to drug ring, selling drugs herself all over the country from Boston to Miami to CA or that Leslie wasn't even a "Manson girl" but a groupie of Bobby Beausoleil.

These articles aren't based on the real people involved. It's based on movie versions or their own sob stories. Leslie and Pat have been courting these feminists for years now. The Long Prison Journey of Leslie Van Houten is hands down one of the most sickening things I've read.

Jay said...

This is an excellent post. I have always found the 'girls' to be far more interesting than Manson himself- their psychology, their backgrounds, why they did what they did, how they changed/didn't change. The women are in my opinion the key to the whole thing. T

Dan S said...

Charlie is fascinating to watch. 80s Susan as a trainwreck dragon lady was really funny to look at. Anyone who believes they're into true crime for the victims is trying to salve their guilty conscience. Lorena Bobbit actually does deserve sympathy

orwhut said...

As Charlie said, he didn't know much about guns, he used dick. The consequences of his use of dick combined with half baked babble were terrible.

Tony said...

I get the feeling Krenwinkel was racked with guilt and regret days after the murders took place but had to play along with Manson and the others, the other two Atkins and Van Houten not at all as they seemed very immature and couldn't grasp the seriousness of their crimes even after years in prison. Happy New year all from darkest South Wales 🎉💐🎊

Dan S said...

Stick a fork in 2022

Medium Patty said...

Do you ever wonder WHY Manson did all of this? Pimping wasn't bringing in money and the effort to handle all these women didn't get him very far. Contacts with old prison buddies was the most lucrative and the best paths towards what he wanted.

Dan S said...

Why did he smash his own guitar in prison? No sense

JohnCake said...

So called? Let's call them what they were: Manson Girls!