Showing posts with label Jay Sebring. Show all posts
Showing posts with label Jay Sebring. Show all posts

Tuesday, October 13, 2020

The Col Presents: The Last Word on JAY SEBRING... CUTTING TO THE TRUTH

In 1985 I came to California to get a graduate degree from USC.  I knew absolutely no one and had only enough money to get a small room in a roach infested “graduate” apartment building eight blocks from the campus.  I didn’t mind, I was away from home pursuing my dreams.

 

I didn’t have a car yet and, after orientation, school would start in another week.  Plenty of time to read large books, go to the cinema and explore the area.  Although then as now the area near USC is shit.

 

Hell, I thought one day, I am going to the Cinema School and there is a Cinema Library and I am in fucking LA, Hollywood adjacent.  Let’s check it out.Alabama born celebrity hairdresser died defending Sharon Tate from Manson  Family - al.com

 

At the time it was a small space.  It had lots of cool movie star bios and other things along that line.   Good reference materials for film students.  I quickly learned that they had “files” on many subjects.  Like if you asked for the Errol Flynn file they had several folders filled with clippings of articles and photos.   Thus you could read about Flynn’s abuse of underage girls, his movie stardom- or even learn that he had once been an actual slave trader!

 

Even in 1985, learning these files existed, I only wanted to ask about one- Manson, TLB. Tate.  Years before founding the ONLY official TLB Blog I was still obsessively bothered by the case.  I had not learned that BUG had committed perjury during a capital murder case, and was in fact a sociopathic liar.  But I knew something was wrong.  No way this Helter Skelter shit was the motive.

 

I spent several hours going over the files and learning nothing new, although as Deb will tell you primary sources are the most accurate and fascinating, being up close time wise to the events occurring.   As I was set to go probably eat a shitty cheeseburger, a fellow student, undergraduate, came up and said “I understand you have the Manson files”.  I said yes, I was finished. I handed them to him.  He was younger than me, but equally new.

 

“Thank you.   What is your interest?” he asked.  I said “Obsessed since the TV film.  Still seeking facts.  You?”  “ Jay Sebring was my uncle”.

 

Awkward.   Although weird juxtapositions would come regularly in the future as effortlessly, I was three days in LA and without trying met one of the victims relatives.  I quickly did the math, was uncertain, but doubted the guy really knew his Uncle before he was slaughtered.

 

As Patty will attest, I do have a habit of sticking my foot in my mouth and then was no different.  “Yes, he was one of the victims with Tate.  I guess he was into tying women up and beating them.  He apparently loved Sharon till the very end.”  DUMB.   I don’t even know this guy.  I gave him the files and left.

 

Circa 2011, DiMaria became one of the sad people showing up at Parole Hearings to make sure the killers stay put.  I say sad, because it has been clear since the 90s that all the Mansonites in prison are dying in prison. Not even a chance.  Not even LVH who “only” stabbed a dead body (eye roll).  So when you show up it feels to me pretty sad.  You spend hours driving to a remote prison and reliving shit that happened decades ago and why?   They were not getting out anyway.  And people like Orca Tate, showing up at hearings of people who didn’t kill anyone she knew, after her own mother specifically did not WANT her to take up the mantle I mean wtf?  If it isn’t some sad attention seeking what is it?  It feels like a fake mailbox explosion, like why did you do this, who cares?

 

I recall saying all this, either here or on the Official TLB Blog, and meaning it.  Yuck.

 

A year or so after, I was at Musso and Franks the legendary restaurant in Hollywood and a guy came up to me.  Anthony DiMaria.  Maybe he was with a mutual friend.  I was awkward again, like how does he know who I am?  Is he upset at my opinions?  He was nice and gracious and I reminded him of the USC library and that’s that.

 

I think back story is important so the reader can judge.  I never, unlike Nelson/Molesto, inserted myself into the story but often I became inserted into it.  So in the same way you needed to know that Tom O’Neil was an assclown as far back as 15 years ago, I passingly met DiMaria 35 years ago last month.

 

---------------

JAY SEBRING….CUTTING TO THE TRUTH is a strong documentary look at a mostly forgotten and tragic figure, Jay Sebring, arguably one of the early fathers of modern men’s hairstyling.  It is told from the point of view of his nephew, who was a toddler when Sebring was viciously murdered by Tex Watson and his comrades.

 

Unlike say HBO’s The Vow, the director does not have access to a lot of primary footage.  The main footage used seems to be a Sebring International hair cut training video.  (I did wonder, with so little footage available, why the sequence from MONDO HOLLYWOOD was omitted- they could not have asked a large fee ffs).  He relies on the usual talking heads along with some home pictures and, certainly unusual for the genre, a lot of footage of himself on the phone.   That sounds boring but it isn’t.

 

The film gives a clear, for the first time, view of Jay:The Early Years.   His upbringing and military service and family life gets more attention here than anywhere I have seen.   It really is not enough, and the director struggles to connect cause and effect several times but it does portray a three dimensional picture of a real human being.

 

As he moves to the second act of the film I feel like the director struggles because of one simple fact- HAD Jay lived he was on his way to worldwide fame and fortune.  He would have been a millionaire and his salons would be in every state.  Instead he was murdered.  So the film tries to make an argument that Jay WAS what he probably would become, if that makes sense to you all.  When Jay died he was a jet set playboy with money and star access, who was on his way to the top.   But to argue that he somehow already WAS there is silly.   $100 Steve McQueen haircuts were great, but that would not make him remembered today had he not been killed.

 

The filmmaker also struggles with who would show up.  Jay’s pretty ex wife is there and does the obligatory “I still love him today” dance  But the person you really want to hear from is Sharon Tate and yeah, well, she’s dead too.

 

Despite these struggles the second act works for me because of how thorough the director is.   He glosses over things- I really do not think a guy who moved to LA and changed his name should be portrayed as close to his family, and his dad does not sound like fun.  There is some weird obsession with BUG.  Unusual for BUG who will show up for a supermarket opening, he refused to be interviewed by Di Maria, saying he never knew Jay.  He didn’t.  Why did DiMaria want him?  No clue but he tried hard to get him.

 

If I was impressed by Act 1 and enjoyed the massive data dump of Act 2 I felt Act 3/Denoument goes off the rails a bit.   There are still many people not named Orca who knew Roman and Sharon around in Hollywood.  No one is interviewed.   Would Beatty not come and speak for his fallen friend?  Hell he could have set the ground rules- talk only about Jay, not the TLB stuff.   Act 3 is where everything needs to come together.  DiMaria tries but he does not quite get there.  He’s stuck with the fact that he’s said everything he really can about Uncle Jay.  You see, because JAY didn’t get to his third act.

 

Instead we get DiMaria showing up at one of the Parole Hearings.  Remember, he’s a toddler when Jay is killed, he doesn’t know the guy.  No one from the immediate family showed up through the 70s and 80s when, conceivably, some of the girls could have been released.  Yes, DiMaria has the right to show up, but is he there to “make sure’ these old people stay put – or for a “movie moment”?

 

He also falters in the “bring the film together section”.  To tie my above story to the review, much is made about Jay’s s/m peccadillos.  Now in 2020 there is a thriving community of s/m fans on the internet, Reddit, where have you.  In 1969 less so.  But DiMaria brings up the accusations AS accusations and makes a big deal about portraying these and accusations, more or less saying “Can you believe this shit?”.  You sit there waiting for him to show us that it was bullshit.  But he just moves on.

 

 

DiMaria spends some time finessing an ending making his Uncle a hero for standing up to the hippie psychos and defending Sharon.  I didn’t get why.  All versions of the story have him trying to tell these killers that the lady was pregnant and stop being assholes, which leads to his death spiral.  It is surely brave if not heroic (I mean, he fails).  The problem was that Jay had no reason to believe they would not all get out of there alive because this kind of shit DIDN’T HAPPEN.

 

Look, I am being picky, probably because this is likely to be the only profile of Sebring we will ever see.  As such, OVERALL, it is very good.  It TRIES to be excellent and doesn’t quite get there.  DiMaria is too much a fan of his Uncle to make a warts and all film. (Look at the photos from the last day that we have thanks to Statman lifting that roll of film off the puke LAPD cop- tell me Sharon and Jay weren’t still fucking.)  But he obviously worked on this for ages and I get the full rounded sad story.

 Jay Sebring

I didn’t expect to like this film, and bought it just because.  But if you are on this blog you care about the TLB victims.  Had she lived I think Sharon possibly might not have acted again.  She wasn’t good and she didn’t love it.  Had Jay lived he would have been a big deal. The fact that none of the five made it is the tragedy.

 

Hollywood being Hollywood, I am certain I will see DiMaria again somewhere.  I will tell him that he did his Uncle proud and buy him a Musso’s Martini.

 

The rest of you check it out- Amazon has it for $5.99 and it is worth it.

Saturday, October 3, 2020

Jay Sebring Is the Godfather of Men's Hairstyling. So Why Haven't You Heard of Him?

By Garrett Munce (Esquire)
Oct 1, 2020

The first celebrity men's hairstylist was murdered by the Manson Family. Now, a new documentary tells his whole story.



Jay Sebring...
Cutting to the Truth
$4.99
WATCH NOW
Let's get this out of the way first: on August 9, 1969, members of the Manson Family murdered pregnant actress Sharon Tate and four friends in cold blood. You know the story. It sent shockwaves through the nation that can still be felt in our culture today, decades later (see, most recently: Once Upon A Time In Hollywood). As Joan Didion famously said, it was the day the '60s ended. Charles Manson and his murderous followers became mythic boogeymen, but as their roles in American culture were cemented, the lives and legacies of the victims faded away.

One of those four other victims was Jay Sebring, who you probably don't know anything about except how he died. Tragedy has a way of eclipsing everything else, and one of the sub-tragedies wrapped up in the story we all know so well is that Jay Sebring is now famous for the wrong thing.

Sebring's legacy, a topic explored in the new documentary Jay Sebring...Cutting to the Truth, streaming now, is little-known but lasting. So lasting, in fact, you're probably part of it without even realizing. The haircut you have right now, and the place you go to get it, are direct descendants of Sebring's life and work as the first celebrity men's hairstylist.

Even without his close relationship to Sharon Tate, Jay Sebring was a fixture of 1960s Hollywood in his own right. He was born Thomas John Kummer but changed his name to Jay Sebring after the famous racetrack; he alternated between driving around a Mustang and a motorcycle (sometimes in full leathers); he wore hip-hugging jeans and chambray shirts he bought at Fred Segal; he was a party boy known to work hard and play even harder, usually with a beautiful woman on his arm and some drugs in his pocket. His staff idolized him and his customers, most of them celebrities themselves, were in awe of him. He was such a well-known figure that rumor has it he was part of the inspiration for Warren Beatty's character in Shampoo (Beatty has never commented on this, but he was a client of Sebring's).

Above: Jay Sebring and Bobby Darin in 1961.
Lead image: Sebring cutting Jackie Cooper's hair.

His larger-than-life personality isn't the story—it's the starting point. When Sebring opened his eponymous salon in West Hollywood, he did something revolutionary for the time: He brought hairstyling to men. "Pre-Sebring, men only went to barbershops, women only went to beauty salons, and never the two did mix," says Anthony DiMaria, Sebring's nephew and the film's director. "Jay realized he wanted men to be able to be groomed and taken care of the same way that women were." A Navy barber who later went to cosmetology school, Sebring created a salon that catered to men, but featured things like wash stations where he shampooed his client's hair before cutting. He imported small, handheld hair dryers from Europe to replace the big, sit-under versions that were common in women's salons, but were never found in barbershops. This doesn’t sound like a big deal now, but in the 1960s, people’s mouths were on the floor. "What’s the big deal with a unisex shop?" asks DiMaria. "Well, at the time, they didn't do that."

It was such a strange idea that Sebring caught flack from the Barber’s Union, which tried to shut him down several times. "They tried to squash him because he wasn't fitting into barbers' guidelines," says DiMaria. Since he went to cosmetology school where he learned to cut hair on women, and not barber school, they claimed he couldn't legally cut mens' hair. His response? Hair has no gender. The clashes between Sebring and the Barber’s Union even got violent a few times, says DiMaria, since the union was rumored to have mob ties. "But Jay had friends, too, in Las Vegas and Detroit." Eventually Sebring founded his own union, the Hair Designers Guild of America, and even participated in passing legislation that did away with the "cosmetologists are for women, barbers are for men" delineation.

Sebring in Malibu in 1969.

Still, it was his hair-cutting technique that brought in the clients even more than his personal mythology. He called himself a hair designer, not a hairstylist, because "he knew that hair was the frame for the face," says DiMaria. "He cut it free flowing and he used his techniques to help express the individual." Walking into an appointment with Sebring meant you weren't going to walk out with the same barber cut that every other man in your office was sporting. You were going to get something completely personalized to you and, in most cases, a little longer and a lot cooler. People, especially celebrities, were willing to pay big bucks for that experience. While a barber cut ran around $1.25, Sebring charged $50 and sometimes more. His was said to be the most expensive men's haircut in the country.

He was the man behind Jim Morrison's iconic shaggy mop and the Rat Pack's sleek quaffs and Steve McQueen's effortless crop both in real life and in movies like The Thomas Crown Affair. He worked on Marlon Brando, Kirk Douglas, Dennis Hopper, Paul Newman, and Henry Fonda. Bruce Lee was a client (whose hair he cut in exchange for martial arts lessons) and also a friend who is credited with helping Lee get his big break. Truly, name a male movie star in the '60s and they were probably a Sebring client. His technique and signature styles were in such high demand that before his death he was laying the groundwork to expand his salon into other cities including New York and London, had created his own men's-specific product line, and had even developed a series of educational training videos to teach his specific cutting technique. It's easy to wonder where he might be today if he hadn't died so tragically.

Sebring cutting Robert Phillips’s hair
on the set of The Dirty Dozen

Even without speculation, it's clear Sebring's impact on men's grooming can still be felt. "His approach to men’s hair was visionary," says hairstylist Martial Vivot. "The styles he did are our everyday inspirations [now]. Think of Jim Morrison and the Rat Pack—you've just covered the entire spectrum of men's hair styling from classic to edgy, longer, and curly. He embraced the hair, respected the hair, followed how the hair moves." Chances are, the barber or hairstylist you see today for your cut is influenced by Sebring, possibly without even knowing it. What we take for granted—from the types of tools our hairstylists use to the types of products we put in our hair to the fact that we might be sitting at a salon station next to a woman (and that it's okay)—is all thanks to Sebring.

"Jay created something out of nothing that went on to become a billion-dollar industry, elevating thousands of professionals and artists," says DiMaria. "I've always felt that he really, in his way, changed the world." Like many other visionaries, he burned bright and fast. "He is really like the Jim Morrison or Kurt Cobain of hair," says Vivot. And while it's impossible to say what he would have accomplished if he'd lived longer, or whether we'd know his name for his work instead of his death, next time you walk out of the barbershop with a fresh cut, pour one out for Jay Sebring. We owe him.

A portrait of the man responsible for your
haircut, whether you knew it or not.




Monday, August 3, 2020

Cutting to the Truth Jay Sebring

A documentary made by Jay Sebring's nephew, Anthony DeMaria, is scheduled to debut on September 22 2020.  The film will be available on demand and digitally.

A couple of links for your perusal....

Media Play News

Las Vegas Review-Journal

The trailer

Monday, June 8, 2020

To Tell the Truth Jay Sebring

This is an episode of To Tell the Truth with Jay Sebring as the guest. January 28 1963!

To Tell the Truth was a game show that aired from 1956-1968.  There was a panel of four celebrities whose task it was to figure out which of three contestants was telling the truth about something in  particular, it could be an event, their occupation or simply something notable that the person had done. Each wrong vote the panel made earned the impostor $100 in the daytime version or $250 in the nighttime version.

Thank you Max Frost for sending this to us!




Wednesday, February 26, 2020

Jay Sebring Documentary finally being released

It's been a long time coming but it appears Anthony DiMaria's project has found a studio to distribute his film.  Many people have been looking forward to something on film about Jay and his life.  And it's something we will get to see later this year!




Jay Sebring documentary lands at Shout! Studios

original story

'Jay Sebring....Cutting to the Truth' chronicles the 1960s rise of the celebrity Hollywood hairstylist before he became one of the Charles Manson cult's grisly murder victims.
Shout! Studios has nabbed the North American rights to Jay Sebring....Cutting to the Truth — a documentary feature from director Anthony DiMaria, 1010 Films and Halation — about the 1960s Hollywood trendsetter Jay Sebring.

Sebring is mostly remembered as a faceless victim of the grisly Charles Manson cult murders of Roman Polanski's pregnant wife, Sharon Tate, and three others at the director's Benedict Canyon residence in August 1969. But the film by DiMaria, Sebring's nephew, chronicles the late haircutter's rise as a Hollywood celebrity who styled the hair of Frank Sinatra, Steve McQueen, Paul Newman, Marlon Brando, The Rat Pack and Elvis Presley, among other stars.

Jay Sebring....Cutting to the Truth, co-produced by Noor Ahmed, DiMaria and Johnny Bishop and executive produced by Chad Layne and Voss Boreta, will screen at film festivals this spring before a commercial release on streaming, digital and other major platforms later in 2020.

"This is an intimate, fascinating portrait of a man whose legacy is so much more than how he died. It’s how he lived that is the main subject here, and his profound contribution to an entire industry, as well as to the style of the 1960s, is expertly — and finally — celebrated,” Jordan Fields, vp acquisitions at Shout! Studios said in a statement.

Sebring was played by Emile Hirsch in Quentin Tarantino’s Once Upon a Time in Hollywood. DiMaria's documentary has interviews collected over 12 years with Dennis Hopper, Nancy Sinatra, Tarantino, Quincy Jones, Debra Tate, Manson prosecutor Stephen Kay and Vic Damone.

The distribution deal was unveiled by Shout! Factory’s founders and CEOs, Bob Emmer and Garson Foos, DiMaria and Fields, who negotiated the pact with Ahmed on behalf of the filmmakers.

Tuesday, July 30, 2019

Manson Victim's Friend Posits Alternative Motive: "I Never Bought Into the Race War Theory"



Six months after the infamous murders, Jim Markham — a hairstylist turned mogul whose clients included Paul Newman and Steve  McQueen and was a protege to victim Jay Sebring — hosted a federal sting to uncover the cult leader’s motive.

Jim Markham remembers vividly the days following the grisly Manson murders of Roman Polanski's pregnant wife, Sharon Tate, her former boyfriend and hairstylist Jay Sebring and three others at the director's Benedict Canyon residence in August 1969. At the time, Markham was Sebring's protege and business partner in a budding franchise of men's hair salons that stretched from a star-packed outpost on the corner of L.A.'s Melrose and Fairfax to Miami. Sebring became the second person to die at the hands of the Manson Family members during an infamous killing spree that claimed seven lives, including coffee heiress Abigail Folger and her lover, Polish screenwriter Wojciech Frykowski.

Markham, then 25 and splitting his time between his hometown of Albuquerque, New Mexico, and L.A., was the heir apparent to Sebring's 400-plus clientele, which included Paul Newman, Frank Sinatra and Steve McQueen. Markham heard the news on the radio and got on the phone with Sebring International president John Madden. "Jay and I had talked many times … that I'd be his successor if anything ever happened to him," Markham recalls. "I just took right over out of necessity."

The hair-care mogul sipped a Perrier on the deck of the Majestic Hotel in Cannes when he met with The Hollywood Reporter, a day after the world premiere of Once Upon a Time in Hollywood — Quentin Tarantino's spin on the events surrounding the Charles Manson-directed murders. (In the movie, Sebring is a key character played by Emile Hirsch.) By Markham's side was his wife of 32 years, Cheryl — the daughter of Dan Genis, special effects guru behind Star Wars — who came of age during the Manson era.

Revisiting the weeks that followed the killings is both painful and cathartic for Markham, now 75 and fabulously wealthy thanks to founding four hair-care companies, including Pureology Serious Colour Care, which he sold to L'Oréal in 2007 for $280 million. (He pocketed more than $100 million on that deal alone.) Markham has never talked in detail about his entanglement in the infamous investigation that captured headlines worldwide and continues to fascinate new generations. His tale reveals his previously unknown role in the critical months after the murders, as law enforcement attempted to identify the killers and decipher their motives with no break in the case.

Markham was Paul Newman's
longtime haircutter.

Charles Manson, arrested in 1969.

Days after the murders, and at the behest of Sebring's father, Markham began living at the house where he had been a frequent guest: Sebring's Bavarian-style home, once owned by Jean Harlow and located on Easton Drive in Beverly Hills — just one mile away from the Polanski-Tate residence on Cielo Drive. "I'm living in Jay's house with raccoons on the roof — it would sound like somebody walking on the top of the house," he says. "I finally had to move out. I thought I was going to be next. They hadn't caught Manson. Nobody knew why it happened."

As Markham remembers, Tate's father, a colonel in Army intelligence, began working with federal agents on the investigation. The agents told Markham that they believed the killers were connected to the salon (murder victim Folger also had a connection to the hair enterprise given that she was an investor in Sebring International). The salon was bugged, but ultimately that line of inquiry lost steam. Once the Manson Family became suspects, however, about six months after the murders, the feds enlisted a willing Markham to set up a sting at his rented Brentwood home. He was to host a meeting between a woman and a man she had met at a bar, someone who had recounted to her at length how he had met Manson in jail. The former inmate was thought to have information pertaining to the cult leader's motive for the murders. But Markham doesn't believe any of the taped conversation from the sting was used in the trial that took place in 1970 and 1971. "This guy looked spooked, really scared," he says of the meeting.

Five decades later, Markham floats his own theory, one that deviates from the official "Helter Skelter" scenario put forth by Manson prosecutor Vincent Bugliosi: that the cult leader ordered the Tate murders in hopes that it would spark an apocalyptic race war as foretold to him in what he believed were coded lyrics on The Beatles' White Album.

Though Markham is reluctant to denigrate the memory of Sebring, who was his mentor and after whom he named his son, he claims that the late hairdresser knew Manson and suggests that the murders were the result of a drug deal gone bad — an account that aligns with a once-popular explanation that fell out of favor as the Helter Skelter narrative became dominant. Back in 1969, Sebring was nicknamed The Candyman and was said to have used his salon to peddle drugs to the stars.

"I don't want to get into the drugs, but I never bought into the race war theory. I believe Manson had gone up to the house" — Polanski was away shooting a movie — "and Manson wanted to sell cocaine and marijuana," he says. "He showed Jay and Wojciech the product. They were going to buy some of it, but the two of them beat him up at the gate. The next night, Manson sent the Family up [to kill them]." Markham adds, "I've lived with that for 50 years. I still believe that." He declines to elaborate further given that he is still in touch with Sebring's nephew Anthony DiMaria, who is planning a movie about the murders.

In Once Upon a Time, Manson appears before the killings at the Cielo Drive house. The film implies that Manson was looking for record producer Terry Melcher, the son of Doris Day, who with girlfriend Candice Bergen had moved out before the murders. (In real life, Manson, an aspiring musician, was introduced to Melcher, who declined to sign him, by The Beach Boys' Dennis Wilson.)

Once Upon a Time offers a revisionist history of the murders and introduces fictitious characters into the blood-soaked narrative, namely Leonardo DiCaprio's actor Rick Dalton and Brad Pitt's stunt double Cliff Booth. Margot Robbie plays Tate, while Polanski has a bit part, played by Rafal Zawierucha. Markham mostly approves of the film, but he bristles at the depiction of Sebring. "I thought Jay was marginalized, and that upset me," he says. "They portrayed him as this sort of houseboy. This was a very powerful man at the time."

Leonardo DiCaprio (left) and Brad Pitt
in 
Once Upon a Time in Hollywood.

Peter Lawford (right) jokingly
cut Markham's hair circa the '70s.

In the years after the Manson murders, Markham forged his own path — one that diverged from his humble beginnings of charging $5 a haircut in Albuquerque. After winning the silver medal in the Hair Olympics, he had flown to Los Angeles in 1966 to learn Sebring's method of cutting and styling. (At the time, the celebrity hairstylist was romantically involved with Tate and living with her.) Markham describes Tate as a "really sweet lady," but says he never saw the actress with Polanski. "She was always without him," Markham says. "She seemed to like Jay a lot. They were always kissing. Lovey-dovey."

Markham continued to intersect with the Tate family while the Manson investigation played out. "When I took over the salon, Sharon's mother, Gwen, treated me like a son," he says. Markham dated Sharon's younger sister, Debra, who consulted on Tarantino's movie. "She looked just like Sharon. They were a real nice family."

In 1972, he founded Markham Products with backing from actor Peter Lawford, all the while cutting and styling for the likes of Newman ("my first, my favorite"), Robert Redford, Johnny Carson, Paul Anka, Joanne Woodward and Jacqueline Bisset. Newman was particularly loyal, allowing Markham to hang a framed letter in the salon in 1971: "He wrote, 'Dear Jim, just a note to let you know that I'm a Sebring fan and you're still running a first-class operation.' " Markham also taught a young Jon Peters the Sebring method. The hairdresser turned A Star Is Born producer took one of his classes in the early '70s.

While doing a house call at Denis' Modern Film Effects, a postproduction house that worked on Raiders of the Lost Ark and Apocalypse Now, Markham met Cheryl, then a receptionist. They married in 1982 and began running the businesses together. After selling Markham Products in 1989, Markham launched ABBA Pure and Natural Hair Care, one of the first vegan lines in the U.S., then sold it in 1997 for $20 million. With Pureology, a line created in 2001, Markham made his biggest contribution by developing the now-ubiquitous sulfate- and carcinogen-free shampoo. "The concept for Pureology started from a phone call," says Cheryl. "My best girlfriend said, 'I got diagnosed with ovarian cancer. My doctor gave me a list of don't-use ingredients. You've got to make me things that I can use.' " In 2011, Markham founded his final company, ColorProof Evolved Color Care. Perhaps in a nod to Once Upon a Time, salons that stock the ColorProof product line are being offered classes on the scissor-over-comb technique pioneered by Sebring and perfected by Markham.

Although he provided original hair salon items to Once Upon a Time's props department, Markham's input was otherwise limited. His offer to cut the hair of Damian Lewis, who plays former client and Sebring International investor McQueen, was rebuffed because Tarantino already had hired a hair team. "It looked like it was an '80s look," he says of Lewis' cut. "But otherwise, Damian looked and acted exactly like Steve McQueen."

Except for a handful of longtime, non-celebrity clients, Markham rarely cuts hair these days. Looking back to before the Manson murders, he waxes nostalgic. "It was the time of my life," he says. "But then it was really awful. The whole city was terrorized. It went from being loosey-goosey to very guarded overnight. They brought about a whole new era."

Markham (right) with celebrity
hairstylist Vidal Sassoon in 1968.

Jay Sebring Salons were located in West Hollywood,
New York and London, among other cities.



Monday, June 10, 2019

MansonBlog Tour 2019: What's with Horn Avenue?


While on the Mansonblog tour this year, I requested that we go by a particular street in West Hollywood.

Horn Avenue looking towards Sunset Blvd.


There is a little street named Horn Avenue that is off Sunset Boulevard.  The street is just two blocks long and intersected by a single street, Shoreham Drive.  While just a short street it does have quite a few residents due to a handful of apartment buildings on the long side of the street.  Between the apartment buildings there are single family residences.


 
Horn is conveniently located in the heart of the Sunset Strip just a couple of blocks east of the Whisky a-go-go and a couple of blocks west of Mel’s Drive-In.

Horn Avenue came to my attention because it’s where Bernard “Lottsapapa” Crowe was arrested for forgery at the end of March 1970.  Crowe, who was arrested with three others, claimed that the apartment at 1211 Horn Avenue was his residence.  However, we know that Crowe actually lived on Woodrow Wilson Drive up in Laurel Canyon.



The newspaper article telling about his arrest erroneously gives the name as Horn Street, there is no Horn Street in West Hollywood or Los Angeles.  The house number is consistent with an apartment building on Horn Avenue.  The apartment building where Crowe was arrested has 16 units.

1211 Horn Avenue


Not long after learning about Crowe’s “other” residence I was reading the first homicide report for the Tate murders.  The report details the movements of Wojiciech Frykowski in the afternoon of the night of the murders.  At about 3 PM Frykowski left the Tate residence and went over to Jay Sebring’s home on Easton Drive.  Apparently, Sebring had asked Frykowski to pick up Suzan Peterson who had been Sebring’s companion the previous night, and Frykowski was to take her to her home.

They first made a stop at Witold Kaczanowski’s gallery on Wilshire Boulevard, where Frykowski’s wanted to pick up a key to the house on Woodstock.  The key to the house was not in Kaczanowski’s possession so Frykowski, Peterson and Kaczanowski all went to another person’s home and eventually secured the key.  After dropping Kaczanowski off back at he the gallery Frykowski finally took Peterson home.


Turns out that Suzan Peterson lived, according to the report, on Horn Street!

Okay, a second reference to Horn, be it street or avenue.  Horn sometimes had N. in front of it.  This is true of most the streets on the north side of Sunset Blvd. though it doesn't usually show on maps, just on the street signs.

In an endeavor to find Peterson’s exact address on Horn, I looked through several newspaper articles.  I was not able to determine her exact address but I did find that there had been another arrest on Horn not long after Crowe’s arrest.
 
On June 18 1969 an article in the Van Nuys Valley News reported that law enforcement had made arrests of several people for breaking into travel agencies and stealing blank airline tickets.

According to other articles in the Los Angeles Times the robberies had been taking place for two or three years prior to the arrests but the airlines were reluctant to press charges against those using the stolen tickets, they figured they could eat the loss in favor of good customer relations.  When the airlines found they were suffering more and more losses they decided to report the stolen airline tickets to law enforcement.  Law enforcement had been investigating the robberies for at least six months prior to the arrests.

The initial newspaper article explains the depth of the stolen airline tickets and just how lucrative a business it could be for those who were stealing the tickets.



There were three people of those arrested that got my attention because they lived at 1211 Horn Avenue.  They are David P. Marsh, 23; Stephen E. Pankey, 26; Linda Faye Cody,22. That’s very same address that Lottsapapa was using for his forgery business.  Since it was an apartment building it’s more than likely that they lived in different apartments.
 
Another two people in that group, Dennis A. Blum, 23, and Jack R. Mirsky, 23, lived at 840 Larrabee Street.  This was the same address that Joel Rostau gave when he reported a break-in at his apartment back in March 1969.  Rostau was living a couple of blocks over at 999 Doheny when he was murdered in May 1970.



What the heck is going on?  How is it that these two criminal enterprises, Crowe’s forgery business and the stolen airline tickets, which have a rather symbiotic relationship could be operating in the same building at roughly the same time?

Joe Guntman aka Joe Gunn seemed to be the head of this particular gang of eight people.  His own company Shady Productions was located at 8780 Sunset Blvd. which is a block and a half from the intersection of Horn Avenue.

The Los Angeles Times was more forthcoming in naming the entertainers who were busted using the stolen tickets than the Van Nuys Valley News.  Some of those in the entertainment industry were 15 people traveling with Carlos Santana who were arrested in New York on their way to London and Linda Ronstadt and five backup musicians were stopped in San Francisco on their way to Honolulu.  They said their tickets were given to them by their manager, the tickets were stolen in a robbery in Hollywood on April 27, 1970.
 
The weekend prior to the arrests of the gang, Eric Burden and War were stopped at the Anchorage Alaska airport with tickets that were stolen in the Los Angeles area.

A 1972 newspaper article told of a group of people who were arrested back east for stealing and selling airline tickets.  In this article the FBI and Interpol joined forces for the arrests because “underworld figures” were using the tickets to smuggle drugs and to unload “millions of dollars in stolen securities throughout Europe.”
 


It’s not a stretch to consider that Joel Rostau may have been using stolen tickets when going abroad while he was unloading securities Europe, stolen from the U.S. mail at airports.  If one were to purchase a fake driver’s license and social security card from “Lottsapapa” and his crew it would be a simple thing, back in those days, to get a passport in an assumed name and to conduct business under the radar.  Grab yourself some cut-rate airline tickets and you’re good to go!

While on tour, Dreath and I endeavored to locate reverse street directories for West Hollywood so we could find out exactly in what apartment each of those arrested resided and when. Also, to find out what was the address where Suzan Peterson lived on Horn Avenue.  We went to the West Hollywood Library only to find that there was no such animal for the years we required that included Horn Avenue.  The adult services librarian, David Davis, did his best to help us going as far as phoning other library branches to see if they had the information we sought and even sent a follow up email after we returned home.
 
So, if all that isn’t enough, I also learned that there is a connection to Horn Avenue with Dianne Linkletter, who committed suicide October 4 1969 by jumping out her sixth-floor kitchen window to her death.  Dianne lived at 8787 Shoreham Drive.  Remember I said earlier that the only street to intersect Horn Avenue was Shoreham Drive.  The location of Dianne’s apartment in that building was across the street from 1211 Horn Avenue.

Shoreham Towers fronts Shoreham Drive. Dianne's apartment was on the left facing 1211 Horn Avenue.

 
Dianne had apparently called her friend Edward Durston to come to her apartment in the middle of the night because she wanted to talk.  Durston arrived at the apartment about 3 AM.  Durston did not have far to go because he lived at 1211 Horn Avenue.  Though Ed Durston was not considered a suspect in Linkletter's death, his presence at the accidental 1985 death of Carol Wayne, in Mexico, raised some eyebrows.  Wayne was a television and film actress who made numerous appearances on the Johnny Carson Show as Art Fern's Tea Time Movie lady.

Los Angeles Times Oct. 5, 1969


Later newspaper articles said that Linkletter was a friend of Abigail Folger and probably knew Sharon Tate.  The article went on to say that Durston was a “speaking acquaintance” of Voityck Frokowski.

Independent Press-Telegram Oct. 18, 1969


Four days after Dianne Linkletter’s suicide another woman committed suicide, this time by overdose.  She had told her husband that she was despondent over the Linkletter suicide.  The woman, Toni Monti, lived at 1211 Horn Avenue.



If there ever was a place for paranormal activity in West Hollywood, I think it would be on Horn Avenue.


All of this led me to conclude that if “Lottsapapa” had any connection, no matter how small, to the Tate/LaBianca saga, that connection would lie with the victims and not the Manson Family.  "Lottsapapa" sure as heck didn't have anything to do with the Family after he was shot by Manson.  Frykowsky had been to Horn Avenue on the day of his death.  Sebring most likely was familiar with Horn Avenue because of Suzan Peterson.

I was never able to reach that ah-ha moment with all of this information but if you can come up with something, I'm all ears.





Monday, November 26, 2018

All about the Drugs at Cielo

You are probably aware that a number of illegal drugs were found at the Tate residence, and that two of the victims tested positive for the use of drugs.  There are, however, a number of inconsistencies and anomalies with the evidence and the conclusions that were drawn from that evidence.

1)  Why didn't they test for THC/Cannibinoids and Cocaine in the bodily fluids of the victims, especially as both drugs had been found at the crime scene?

Here is what was found at the residence in the way of illegal drugs/drugs of abuse, from the 'Property Report Cielo Drive Victims':

http://murdersofaugust69.freeforums.net/thread/542/property-report-cielo-drive-victims?page=2
--Bag of leafy substance(6.9 grams of marijuana, according to Bugliosi) removed from front room cabinet.

--Bag of leafy substance removed from front bedroom night stand

--(Three) - Cigarettes - hand rolled(marijuana joints?), found in kitchen (rear)

--(One) - tube containing white powder, found in blue jacket(Sebring's)

--(One) - Vial containing white powder, found in Sebring's car.



--Roach and debris, found in Sebring's car.

--Brown/gummy substance, possible narcotic, found in Sebring's car.

--Green/leafy substance resembling m.j., found in Sebring's car. (6.3 grams of marijuana, according to Bugliosi)

and from Bugliosi, pg26-27:

--30 grams of hashish, found in the nightstand in the bedroom used by Frykowski and Folger

--marijuana residue in the ashtray on the stand next to Sharon Tate's bed

--another roach(on the desk near the front door) found by Roman Polanski when he went back to the house later on Aug 17, 1969.



Others:

--(Ten) - white capsules removed from front bedroom night stand.
   (later ID'ed as the MDA)
     
--(Four) - brown tablets removed from front bedroom night stand.

--(One) - Container - containing 7 triangular green tablets and 1 - yellow capsule. Found in desk....

(There is no sign that the brown, green, and yellow pills were ever identified.)

--two more roaches in guest house.

--a small quantity of marijuana discovered later at the home on Summit Drive being rented by Folger/Frykowski where Witold K. was living.


The quantity of these illegal drugs found at the scene certainly suggests the residents of the house were using these drugs.  But the coroner wasn't even testing for these substances?  Doesn't make sense.  All the more so as one of the first police theories was that the murders were the result of a 'drug freakout,' and that the use of cocaine, like the amphetamines, has been linked to violence:

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC181074/
The symptoms include agitation, paranoia, hallucinations, delusions, violence, as well as suicidal and homicidal thinking.    ....Cocaine-related violent behaviors occur in as many as 55% of patients with cocaine-induced psychiatric symptoms. ...

A couple of possibilities come to mind:

--The people at Cielo were actually only very light users, and hadn't done enough, or done them recently, for the drugs to show up in a tox screen.
(IMO they had too much on hand to be only occasional users.  Plus Sebring wouldn't have risked carrying Cocaine in his possession unless he was doing it every day.)

--Investigators figured the presence of these drugs on scene confirmed they were using these drugs, and hence no extra toxicological tests needed.

--They found some THC in Sharon's urine/blood, and they didn't want to sully her name any further, so they left that out; and then decided they would have to leave it out of the three other autopsy reports as well to cover it up.

--They did indeed do the tests, but toxicological results came back NEGATIVE for any Marijuana/THC or Cocaine use in all four of the people from the main house. 
In other words no drugs were being consumed, and thus there was no reason to have all these drugs there at all.  This raises the possibility that the drug evidence was PLANTED. (OO-ee-OO!)  To mollify the public and to send investigators off on their wild goose chase,

 

2)  The results for the tox screen for all the Cielo Drive victims were completed on August 21 or later, and were all tested for MDA.  Except for Jay Sebring, whose tox screen was already completed on August 13, and was not tested for MDA.  Why was he not tested?





3)  Were Folger and Frykowski unfairly painted with a 'drug jacket?'

The police reports, the news reports of the time, and Bugliosi in his book all lay it on pretty thick:

First Homicide Investigation Report - Tate
9.
"During April, May, June, and the first part of July, Frykowski and Folger had many impromptu parties.  ...  An open invitation policy existed at the house. Drug use was prevalent. They used hashish, marijuana, mescaline, cocaine and MDA.
(These would be all the drugs they DIDN'T test for in the tox screens (except for the MDA).

26.
Wojiciech Frykowski...  used cocaine, mescaline, LSD, marijuana, hashish and MDA in large amounts. He was an extrovert and gave invitations to almost everyone he met to come visit him at his residence. Narcotic parties were the order of the day...     ... Folger also used these drugs in large quantities.


Helter Skelter, pg44
The police were unable to determine exactly when Folger and Frykowski began to use drugs heavily, on a regular basis,  It was learned that on their cross-country trip they had stopped in Irving, Texas, staying several days with a big dope dealer well known to local and Dallas police.  Dealers were among their regular guests both at the Woodstock house and after they moved to Cielo Drive. William Tennant told police that whenever he visited the latter residence(Cielo Dr.), Abigail "always seemed to be in a stupor from narcotics."

When her mother last talked to her, about ten that Friday night, she said Gibby had sounded lucid but a "a little high."  Mrs. Folger, who was not unaware of her daughter's problems, had contributed large amounts of money and time to the Haight-Ashbury Free Medical Clinic, to help in their pioneer work in treating drug abuse.

                                          William Tennant


Thomas Michael Harrigan
http://www.cielodrive.com/archive/tate-case-victim-%E2%80%98on-a-trip%E2%80%99/
Tate Case Victim ‘on a Trip’  LOS ANGELES, Aug. 22 –
Thomas Michael Harrigan said he saw Frokowsky the day before the macabre murders and the Polish émigré told him he was on the fifth day of an eight day mescaline trip.  ...
Harrigan said Jay Sebring... was sitting in a chair with his head tilted to one side, “as though he were watching a movie only he could see.”   He said Miss Tate was not high and seemed unaware of the condition of Frykowsky and Sebring, “as though there was nothing out of the ordinary.”

It should be remembered, though, that most of the defamatory statements about the drug use seems to come from only two sources--Harrigan and Witold K., both of whom had legal problems and may thus have had good motive to go along with the police version of events. (Harrigan was a drug dealer and smuggler, and Witold K.'s visa had expired and he was not in the U.S. legally at the time.)

                                          Witold K.
 



This is the counter-narrative:

Restless Souls by Alisa Statman and Brie Tate c.2012  pg82
Jim Mitchum: "Things were pretty out of hand up there while Sharon and Roman were in Europe.

pg89
PJ Tate: "Was this crap going on up at Cielo?" I asked.
(Billy) Doyle: "Only when Gibbie and Sharon were out of town, and then only for the five-week period that Woytek had run of the house."

In other words, the heavy partying had ended after Sharon came back home in early July of '69.

pg82
PJ: "Was Woytek dealing?" I asked.
Jim Mitchum:  "Nah, man, he was the Robin Hood of dope," Jim said. "He'd get the money from Gibbie, buy the drugs, and then give them away. He only wanted to have fun."

pg89
(Billy) Doyle:  "...the rumor of Woytek being a drug dealer is ridiculous. He barely spoke English. ... he was never strung out the way they're writing about him."

pg90
PJ: Re Gibbie "...was she using?"
Doyle: "No way. This was a girl who thought it was incredibly mischievous to take a toke off someone else's joint. Perhaps she was different around others, but she didn't use drugs in my presence."

Tony Curtis, the Autobiography by Tony Curtis  c.1993  pg228
I think it's important to emphasize that she and Roman were not particularly into any drugs at all. There were no drugs, no orgies, nothing awful.  ... (Joyce)Haber and those other gossip columnists were particularly nasty about the Sharon Tate story. They took it upon themselves to suggest that drugs were the reason for the murder, which may have been true for the murderers, but certainly not for Sharon.

Roman by Roman Polanski c.1984  pg313
The press painted an astonishingly inaccurate picture of Wojtek Frykowski, describing him as "a major drug purveyor." In many ways, Wojtek was one of the squarest people I've ever known. ... The myth of Wojtek the big-time drug dealer stemmed largely from a report that he'd had dealings with known pushers. ... (Re party-crashing incident at the April party at Cielo) All three turned out to be small-time pushers, and it was this incident that gave rise to the drug connections theory

http://www.lamag.com/longform/manson-an-oral-history1/2/
SGT McGANN(in 2009): My initial thought was the drug angle. Sharon didn’t use drugs. Abigail had done a little experimentation but not much. Jay Sebring smoked pot, but everybody in Los Angeles did at that point.


4)  Where did the MDA come from?

It is strongly implied that the MDA came from Canadian drug-dealer Thomas Harrigan

First Homicide Investigation Report - Tate, section 10:
"Harrigan made a trip to Toronto, Canada and brought back a supply of MDA and possibly other drugs via commercial airlines.  It is known that he supplied at least a portion of this MDA to Frykowski."
           
                                Harrigan(r.) and his attorney, Paul Caruso(l.)


But when you read the fine print, they couldn't make the connection:

From the First Homicide Investigation Report - Tate, section 10:
"It is possible that Frykowski was given this drug(MDA) by some other emissary (other than Harrigan) 2 or 3 days prior to the murder."

section 30:
"...  Harrigan and Doyle supplied Frykowski and Folger with some cocaine and mescaline and probably most all of the MDA they used. MDA is a synthetic drug manufactured in Toronto, Canada."

"It is possible..."  "... probably ..."

In other words, the investigators never did find out where that MDA came from.

I suspect that the MDA in fact came from Gibbie's shrink, Dr. Marvin Flicker.  Psychotherapists were at time experimenting with the use of the still-legal MDA for their patients:

https://en.wikipedia.org/wiki/3,4-Methylenedioxyamphetamine
MDA began to appear on the recreational drug scene around 1963 to 1964. It was then inexpensive and readily available as a research chemical from several scientific supply houses. Several researchers, including Claudio Naranjo and Richard Yensen, have explored MDA in the field of psychotherapy.  Naranjo.. began conducting workshops at Esalen Institute as a visiting associate.

Would Gibbie, who experimented "a little," have taken an unknown hallucinogen in someone else's house, when the hostess didn't take drugs herself?  It makes more sense if the pills were supplied and recommended by her own doctor.


-------------------------------

"Be alert and of sober mind. Your enemy the devil prowls around like a roaring lion looking for someone to devour."
          --1 Peter 5:8



Monday, August 28, 2017

A Look At the Evidence #6: Granado’s Big Mistake

Other Posts: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7


"The Blood Problem. No scenario for the murders in any published account or police report has taken seriously into consideration the fact that Miss Tate and Jay Sebring were outside the house on the front porch during the massacre. If you look at the large picture of the front porch that Life published last August you will see incredible amounts of blood. All this blood is of the two victims mentioned. One supposes that the true story of what happened at the house on Cielo Drive last August 8th will come out sooner or later. We have reason to believe that Linda Kasabian recounted a different, much different, story of what happened there at the house to at least two people before she was arrested- a story divergent from her 18 day testimony on the witness stand."


Ed Sanders, Cast Call For Blood Alley, The Los Angeles Free Press, September 4, 1970

On the morning of August 9, 1969 at 10:00 a.m. officer Manuel Joseph Granado of the Los Angeles
I think Granado might be in the back with the glasses.
Police Department's Scientific Investigation Division (SID) arrived at 10050 Cielo Drive to participate in the crime scene investigation related to the murders of Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent.


Granado had a bachelor of arts degree (undefined) and a masters degree in Criminalistics. He had six years experience with SID.

Cielodrive thinks this might be him.
Granado first did a walk-through of the crime scene. This is when he noted the gun grip pieces in the front hall (that later were kicked under a chair, see image, below). He then went back and began to collect evidence. He started with the gun grip because he was afraid the pieces might be lost.

Granado logged each location where he collected evidence that day with his initial “G” and a number. According to his testimony, these numbers form the chronological path he followed as he moved about the crime scene that morning.
_____
Q: And the “17” is what? Is that just one of your figures?
A: Just a chronological order that I picked up the various evidence at the scene.
_____

Evidence entries G22-27 are missing from the report he subsequently submitted to Captain Don A. Martin, Commander of SID (below, right). We know these entries once existed because during his testimony he identified G25 as a mark on a beam. It tested negative for blood.

[Aside: I count 31 typed blood samples recorded on this report. If I add the missing G25 and the three ‘not blood’ or ‘insufficient amount’ results I get 35. Bugliosi says 45. Where are the other 10?]

While collecting blood samples Granado labeled seven locations, which together form the basis for his 'big mistake':

G4: Blood splatters on front porch next to door, human blood- type OM (Sharon Tate)


G5: Front door porch near post, human blood- type O-MN (Jay Sebring)

G-7. Foot print on porch, human blood. O-M (Sharon Tate)[Aside: several other barefoot prints were also identified in this general location but were not tested for blood.]

G32: Blood left side of door jam, human blood- type OM (Sharon Tate)

G33: Blood 22 inches north of edge of porch, and 42 inches east of edge of porch (front), human blood- type O-MN (Jay Sebring)

G34: Blood on walkway, 28 inches from front porch and 8 inches north of edge of walkway, human blood- type O-MN (Jay Sebring)

G35: Blood on porch (6-18 inches) from south side of entry (splatters) human blood- type OM (Sharon Tate)

These seven locations place Sharon Tate and Jay Sebring on the front porch and walkway of the house. The eyewitness say they were never there.
_____

I would have shot him, but he and Sadie kept rolling and fighting, so I finally threw myself on him and beat him over the head with the butt of the gun until it broke, a section of the grip dropping to the floor. He was enormously powerful, fighting for his life as he dragged the two of us across the hall toward the front door, knocking over the trunks.

As we staggered out onto the front porch, he kept screaming, “Help me. Oh God, help me!” I
stabbed him over and over, blindly, the whole world spinning and turning as red as the blood that was smearing and spattering everywhere. Finally I shot him twice and he slumped onto the stone porch.

(Charles ‘Tex’ Watson, Will You Die For Me)

_____

Atkins initially tells us she was on the floor in the living room and saw neither the shooting nor Frykowski going out the door. Then she changes her story.
_____

PAUL CARUSO: Frykowski was going out, wasn’t he?
SUSAN ATKINS: Yes, but I don’t remember because I was on the floor.
(Atkins Interview by Caballero and Caruso, December 1, 1969- thanks to cielodrive.com)

Q: What happened next?
A (Atkins): Then he got away from me. Mr. Frykowski got away from me. He started running towards the front door which was open and screaming bloody murder, yelling for his life, for somebody to come help him.
*****
Q: What is the next thing that happened?
A: Frykowski was running and screaming. He got to the door and Tex hit him over the head.
*****
Q: In addition to hitting Mr. Frykowski over the head with the gun butt did Tex do anything else to Mr. Frykowski at that point?
A: He was stabbing him as best he could because Frykowski was fighting.

Cielodrive.com. Susan Atkins Grand Jury Testimony (Kindle Locations 560-569). Kindle Edition.

Kasabian tells us that she saw Frykowski come out the door, alone. He made eye contact and then he falls into the bushes at the north end of the porch. Frykowski is next being attacked by Watson on the lawn.
_____

Q. What happened after you ran toward the house?
A (Kasabian). There was a man just entering out of the door and he had blood all over his face and he was standing by a post, and we looked into each other's eyes for a minute, I don't know however long, and I said, "Oh, God, I am so sorry. Please make it stop." And then he just fell to the ground into the bushes.

And then Sadie came running out of the house, and I said, "Sadie, please make it stop." And then I said, "People are coming." And she said, "It's too late." And then she told me that she left her knife and she couldn't find it. And while this was going on, the man had gotten up, and I saw Tex on top of him, hitting him on the head and stabbing him, and the man was struggling, and then I saw Katie in the background with the girl, chasing after her with an upraised knife, and I just turned and ran to the car down at the bottom of the hill.
*****
Q. You will have to speak a little bit more loudly in the microphone. You say when this tall man first came out the door covered with blood, he fell into some bushes?
A . Yes.
Q. Were these bushes close to the front door?
A. Yes.
Q. You say he eventually got up and moved to a different place?
A. Yes.
Q. Tex followed him?
A. Yes.
Q. Finally the man fell down, you say?
A. Yes.
Q. And Tex got on top of him and stabbed him, is that correct?
A. Yes.
_____

[Aside: I usually skim through the various books when I write these posts to see if there is something to add. When I did in my version of Sanders’ The Family I noticed at page 412 (2002 edition) that he has an image of one of the notes Kasabian wrote Bugliosi (right). Remember, those notes are things she ‘remembered’ between interviews.

"At the end of each interview I’d tell her that if, back in her cell, anything occurred to her which we hadn’t discussed, to “jot it down.” A number of these notes became letters to me, running to a dozen or more pages."

Bugliosi, Vincent; Curt Gentry. Helter Skelter: The True Story of the Manson Murders . W. W. Norton & Company. Kindle Edition.

This story- Sadie’s Stroll- appears in that note. It includes this: “Then I looked at the boy in the car and thought to myself ‘oh no, they’re killing the people- I have to do something.’” She goes on to say she ran over “to the hedge” and saw Frykowski. The note is interesting. First, we are supposed to believe this was something that when interviewed Kasabian didn’t remember and only remembered later, when alone in her cell.  The part where she saw Parent almost sounds like this is the first she knew he had been shot, while she testified she saw him being shot. Then she places herself at ‘the hedge’. This is not at the “LK arrow” on the walkway.]

The Big Mistake



The seven blood locations contradict everything we know happened that night. We know Sebring and Tate never escaped the living room.

If Granado made a mistake in typing Frykowski’s blood, then the Sebring blood evidence reveals a path similar to Folger’s blood evidence and is consistent with our understanding about what happened that night according to the eyewitnesses.

G29: The trunks to the....
G2: Gun grip in the front hall to the ....
G5 and 31: Blood on the porch to the .....
G34: Blood on the walkway to the .....
G16: Scarf found in the grass about ten feet from Frykowski’s body.

[Aside: At the trial Granado testified that he also tested the actual gun for blood and found type B blood on the hammer and in the metal portion of the exposed grip. Granado didn’t have access to the gun until December 16, 1969. This actually lends some support to the argument that Granado didn’t make a mistake as it places blood consistent with the eyewitnesses on the gun following a successful test, months after the events.]



The Number of Mistakes



The first problem encountered is the number of errors Granado has to make for this evidence to be a mistake. Granado had to make a mistake at least seven times (and I would argue nine). This translates to seven out of thirty-one samples (23%) of all blood tested and seven out of eighteen type O blood samples (40%). Add the ribbons and the scarf and it is 50%. The number is actually higher because of the subtypes.

The M-N-MN subtype of Sebring is the same as Frykowski (MN). So that needn't be an error. That still leaves four locations (Sharon Tate’s M subtype) where Granado also had to make a mistake during the M-N-MN subtyping. So, all told, we have eleven to thirteen errors. That is a lot. 

Possible Errors



Possible Error #1: Delay in Testing the Blood Samples



Granado was testing the blood months after the crimes.
_____

Q: And when did you make your examination of these samples?
A: The week immediately following and several months thereafter.
_____

At the Watson trial Granado was clearer on this issue.
_____

Q: And when did you make your examination back at the office?
A: Some of them I started the following day and others I was still running tests several months afterwards.
_____

Could this be the culprit? No

First, remember the gun. Most of these seven locations are mentioned in the First Homicide Investigation Progress Report as having been typed. Many of the seven locations were typed and subtyped by the date of that report. More importantly, as Naguchi testified (below), blood can be typed (but not necessarily subtyped) years after the event. That is an accurate statement.

Conclusion: Not the error.

Possible Error #2: The Chain of Evidence



Forensic procedural manuals, textbooks, training literature and protocols all stress documenting everything the forensic investigator does by video tape if possible (today). Documentation is critical. (John Schiro. Forensic Scientist, Louisiana State Police Crime Laboratory, Collection and Preservation of Blood Evidence at Crime Scenes, Crime Scene Network)

The error would go something like this: Granado collected G32 from somewhere other than the front porch door jam and either mislabeled the location or switched two sample locations.

One clue to this error would be locations where type B blood is ‘out of place’ because Granado switched the actual locations. Example: G32 is really from location G26 (let’s assume G26 is near Tate’s body) and G26 appears as type B in the report. Alternatively, there should be locations identified where no test was performed. Example: G32 is really from G26 but there is no typed blood from G26.

There is, perhaps, an indication this error may have occurred. That comes from the homicide report and the missing entries in his memo to the SID commander.
____

Blood around area of Polanski's body and Sebring's body and rope which they were tied with, type O. (First Tate Homicide Investigation Progress Report, emphasis added)
_____

Granado has no record of samples from 'around the area' of Polanski or Sebring if he did take them. Evidence items G22-27, however, are missing from the blood report, above. Granado testified that G25 was the beam. Since the “G” numbers are chronological and G25 is the beam and G28 is the rope G26 and G27 logically could be in the living room at the bodies of Sharon Tate and Jay Sebring. G21 is from Parent’s car which suggests to me G22-24 may be outside and further away from the house (the garage?) or that at some point in the sequence the location shifts to the living room. But without knowing what the missing evidence was there is no way to say for sure. This could account for five, but not seven, errors.

Conclusion: Unable to determine, but I’ll say unlikely due to the number of errors involved.

Intermission



Before moving on to other possible errors you need to have two pieces of information.

Naguchi’s Testimony


Naguchi testified as follows on cross examination.
______
Q (Kanarek) **** In a week could you still tell that blood type?
A (Naguchi). We should be able to tell blood type, yes.
Q: And what time period, could you give us some sort of time period, let’s say, ordinary Southern California type atmosphere, minimum amount of rain, and so forth, what would the time period after which you could not tell the blood type was?
A. Well, if a blood stain has sufficient quantity we should be able to tell the blood type of the A, B, O system. If it dried without chemical changes I would say we should be able to tell even though it had been dry for many years.
Q. I see. Now, what happens, Doctor, if blood of different types mixes? Does that interfere with the analysis?
A. Yes.

[Aside: why on earth is Kanarak asking Naguchi these questions? These are the questions he should be asking Granado, who testifies, next. He doesn’t. Or at least I would add: "Kanarek, ask the next damn question!"- “How does it interfere?”]
______

ABO Typing

This is how ABO blood typing works, the only test Granado had to work with in 1969. With dried blood, it is a little more complicated then described below, but this is close enough for this post.

Granado sets up two test tubes. He places the same sample from the crime scene in each one. He then takes a known sample of type A blood from the lab and places it in test tube A and a known sample of blood type B in test tube B. He waits thirty minutes or so. The results are then apparent to the naked eye and can be confirmed by a microscope.


He is looking for clumping. Here, to the right, test tube B shows clumping. That happens when type B blood mixes with type A blood. Test tube A shows no reaction. Granado knows he has type A blood.

If he gets the opposite result he has type B.

If both clump (left) he has type AB.

And if neither clumps it is type 0 (lower right).

The images are good representations of what Granado would
actually see with the naked eye.

(Corey Harbison ABO Blood Type Identification and Forensic Science (1900-1960), Embryo Project Encyclopedia, 2016)

Possible Error #3: Blood Transfer



It is well documented that this happened. Several police officers tracked blood out onto the porch and even kicked the gun grip under a chair while Granado was present at the scene. It is also a certainty blood was transferred due to the movements of the murderers. But does this account for the seven suspected blood samples?

In a slightly different form this theory was also Bugliosi’s theory at the trial: our seven, suspect, blood samples were ‘cast off’ blood from the killers or their weapons carried from Sebring and Tate in the living room to the front porch. Bugliosi even had Granado circle an area in a photo to show where he collected the sample from a larger bloodstain to make his point.

Bugliosi’s theory says drops of Tate/Sebring blood fell into these seven locations (where Frykowski’s blood was located) and by some miraculous accident when Granado collected samples from the larger bloodstained areas, with pinpoint accuracy, he accidentally took his samples from those precise locations. Then, when he tested them he obtained a type O result, seven times.

Granado would have to pull off this feat seven times, each time collecting a transferred drop from a larger area of Frykowski’s blood. He would also need to get a subtype of M on four samples.

The eyewitnesses say Sebring was attacked in the living room, first. His blood could transfer in the ensuing ‘chase’ of Frykowski. But how does Tate’s blood get onto the front porch?

One possible explanation is that Tate’s blood was transferred by Atkins when she wrote ‘Pig’ on the door. The door to the Polanski home, however, was open not closed when police arrived. That would suggest any cast off from the ‘Pig’ writing should be in the front hall, not on the porch.
____

Q: Before you entered, did you notice whether the front door was to the Tate residence was open or closed?
A (Wheisenhunt): The door was open.
*****
Q: All right, now, before running outside of the kitchen door with your purse did you notice whether or not the front door was open or closed?
A (Chapman): It was open.
*****
Q: I show you People’s 103 for identification and direct your attention to the front door of the Tate residence. You will notice it is open. Was the front door open when you arrived on the premises?
A (De Rosa): Yes it was.

_____

That really leaves Atkins and Watson, leaving the house, as the mechanism  to transfer Sharon Tate's blood to the front porch. 

That doesn’t mean the victims’ blood couldn’t have been mixed. It was, and that is what Naguchi is alluding to at the end of his testimony (where Kanarek drops the ball, again). If two types of blood are mixed (remember, we are pre-DNA by twenty years) any blood typing of that blood is unreliable if you know it is mixed.

This issue comes up, frequently, in exoneration cases of convicted rapists (by DNA) today. The concept, there, is known as ‘masking’. If more of the victim’s blood type is present in the fluid the smaller amount from the assailant will be hidden from the ABO test- masked- making the test unreliable. The concept should be explained to the jury. (Vanessa Meterko, M.A., Strengths and Limitations of Forensic Science: What DNA Exonerations Have Taught Us and Where to Go From Here, Virginia Law Review, Vol.119, 2017)

That means our seven suspect samples are, indeed, ‘unreliable’. It also means we can’t say Frykowski’s blood is not also at the seven locations.

But ‘masking’ also suggests something interesting. The higher quantity blood type should appear during the test. (Meterko, supra) This means when Granado found type O blood at these locations there was far more type O blood in his sample then type B. According to the official narrative, that is backwards.

The way this error can provide an explanation for our seven suspect samples is if Bugliosi is correct.   Granado would need to collect a mix of the transferred type O blood and a lesser amount of type B from each location. The type O blood in the sample then ‘masks’ the type B blood. If this happened it could explain all of the suspect samples.

There is a problem, however: how could Granado have accidently pulled this off seven times? The problem is illustrated by the footprint. How did Atkins track the O blood across the walk in greater quantities then type B and then how did Granado collect the O type blood out of that mix?

Conclusion: This is the scenario that best explains the errors but it requires a lot of extraordinary coincidences.

Possible Error #4: A Testing Error



Bugliosi wanted to identify whose blood was located at each location and show the movements of the victims. He was also attempting to corroborate Kasabian. But Granado can’t really do that. All he can really say, for example, is that G35 could be any one of several million people, including Jay Sebring. Because of this, Bugliosi stays away from asking questions about procedure, protocols or testing techniques. He also does this because he has blood at the wrong place. The defense.....well, they were incompetent. Only one person ever asked the critical question: Judge Alexander at the Watson trial.
_____

The Court: I have a couple questions I would like to ask. Maybe I was mistaken listening to your testimony. You say on the pathway outside the house you found blood O with a sub type MN; is that correct? The early part of your testimony.
A: Walkway. Okay.
Q: The walkway?
A: Yes.
Q: Am I correct in that?
A: Yes; O MN.
Q: O MN. The only bodies outside the house were those of Abigail Folger and Wojiciech Frykowski; is that correct, sir?
A: That is correct.
Q: Neither one of them has O with sub type MN; is that correct?
A: That is correct.
Q: Can you account for the O MN blood type outside the house when the only bodies outside of the house were Wojiciech Frykowski and Folger and neither one of them had O sub type MN?
A: Unless one of the two O—the O MN bodies had at one time been outside bleeding and brought back in. [I believe a ‘not’ is missing here at the start of the last answer.]
_____

Because of DNA by the end of the 1980’s no one cared about ABO blood typing at crime scenes so finding helpful research is difficult. In fact, since the advent of non-human reagents the procedures used by Granado were no longer used even when ABO blood typing occurred.


In 1977 a grant was given to the Forensic Sciences Foundation to run a study on crime lab proficiency (Joseph L. Peterson et al., Crime Laboratory Proficiency Testing Research
Program, Natl. Inst. L. Enforcement & Crim. Just. 1978). Several hundred labs were given a series of
tests and asked to submit their results. The tests included ballistics, paint samples, finger prints, hair blood stains, etc. As part of the study, and as part of a promise of anonymity, the ‘codes’ identifying which lab had performed how on which test were destroyed [Aside: given the results, probably so defense lawyers couldn’t access the information]. Both Naguchi’s office and LAPD’s SID (Wolfer) participated in the study. Granado moved on to the FBI shortly after first trial. The overall results were abysmal.

The 1977 study included two ‘blood tests’. Test #3 required the lab to type and subtype a blood stain just like Granado. Test #8 required the lab to determine if two blood stains could have originated from the same source. Granado couldn’t and didn’t attempt this in 1969. The results appear to the right.


Test #3 statistically supports the argument that Granado didn’t make a mistake. The error rate is only 3.8% for typing blood which is good. However, the detail on the testing reveals an interesting piece of information.
_____

Type MN blood was reported correctly by 15 of 25 laboratories attempting this system. This represents 60% of the attempts.
*****
All of the laboratories attempting the MN typing used the absorption elution method [used by Granado]. Each of the 9 laboratories reporting type M had also used the absorption elution technique in the ABO typing [used by Granado], and had correctly typed the stain as type B. The Project Advisory Committee concludes that the errors may well be attributable to considerations other than technique. MN antisera is widely held to be treacherous, and the erroneous results may possibly be attributed to poor antisera.
_____

This means the M-N-MN sub-typing (used by Granado) had an error rate in the study of 40%. The reason was the antisera. The antisera if not used carefully can have two impacts N antigens can bond with M cells from the actual bloodstain making the bloodstain appear to be subtype MN. Alternatively, the antisera can 'destroy' the 'N' aspect of the MN cell making it appear to be 'M'. (Robert Shaler, Phd. et al, MN Determination in Bloodstains-Selective Destruction of Cross-Reacting Activity, National Institute of Law Enforcement and Criminal Justice, May 1977)

This could explain the odd coincidence that every victim except Sharon Tate was subtype MN. It also means Granado’s subtype results are likely wrong (or at least there is a 40% chance each one is wrong). It also means the O-MN blood found on the porch and elsewhere could be type O-M and that, at least, places Sebring back in the living room. Of course it also means the O-M blood could be O-MN.

This possible error potentially makes all seven samples (and others) Sharon Tate’s blood. For example, if you believe the official narrative, given the order the victims were killed, it is more likely the greater quantity of blood on Watson’s hand when he left the scene would be from Sharon Tate, the last victim, not Sebring, the first. This error may explain why Sebring’s blood appears to be on the gate button. MN sub typing clearly was not very reliable. 

The second test, #8, suffered a 71.2% error rate but this test was to determine whether two bloodstains could come from the same source. Granado couldn’t and didn’t attempt that in this case.

[Aside: After 1977 proficiency testing continued under the study and the results continued to be abysmal into the 1990’s (Randolph N. Jonakait, Forensic Science: The Need for Regulation, Harvard Journal of Law and Technology, Vol.4, 1991)]

The explanation offered in the 1977 report for the various errors included: lack of training and education, problems with reagents, poorly equipped facilities, overworked staff, underpaid staff, lack of protocols, bias and lack of staff, turning the investigator into a ‘jack of all trades’. All of these, arguably, apply to Granado. Bias- he knew the detectives believed Sharon Tate’s body had been moved and that may have influenced his results.

[Aside: It is too bad the lab ‘codes’ were destroyed. It would be interesting to see how Wolfer’s lab faired.]

Conclusion: There is no solid evidence of this error in part because no one asked the right questions at either trial. Statistically, however, it is highly probable Granado’s M-N-MN subtyping is wrong. I don’t think there is enough evidence to say his ABO typing is wrong (as in ‘the wrong type was identified during the test’).

Possible Error #5: Frykowski is type O-MN



Granado typed the victims’ blood from the morgue, first. If he made a mistake in typing Frykowski then the Sebring blood evidence reveals a path heading out the front door. However, the coroner also typed Frykowski’s blood and concluded it was type B. It is also much easier to type ‘wet’ blood versus dried bloodstains.


Conclusion: Not the Error.

Possible Error #6: Almost all of the above



This may be the best explanation if mistakes were made. Each of the seven suspected blood samples could result from one or more different errors. The problem I keep running into is: it is seven errors. We are also saying at the same time Granado made this mistake he got all the type B blood right. There is one potential explanation for this outcome. The best explanation for that outcome is the error of transferred blood (mixing types) as described by Bugliosi because the type-B locations do not suffer from blood transfer. But that takes me back to the footprint.

The Footprints


Part of the evidence discovered that morning was a series of footprints that ran from near the front door easterly off the porch towards the grass.

_____

“Continuing toward the porch, three bloody footprints were noted. All four of these prints are blood type O and indicated the person was moving east from the porch.

Continuing onto the porch in a westerly direction, two bloody barefoot prints are noted. Both of these prints are blood type O and are also pointing in an easterly direction.”
(First Tate Homicide Progress Report)
_____

Again, adding to the mystery, Granado’s blood report only identifies one of these footprints (G7) and fails to record the other five mentioned as type ‘O’ in the report.

There are no bloody barefoot prints noted in the front hall but the images clearly show blood there. That means whomever left these stepped in the blood on the porch, not in the living room.

Here is what Atkins says about the footprints:
_____

Then I threw the towel back into the room and left. To get out of the door, I had to step in blood with one foot, so I hopped on the other foot down to the grass and wiped my bare foot back and forth several times.

Slosser, Bob; Atkins, Susan. Child of Satan, Child of God (p. 143). Menelorelin Dorenay’s Publishing. Kindle Edition.
_____

We can ignore her. We know this statement is completely inaccurate (surprise!) for two reasons. She didn’t have to step in the blood to exit the house and because she left several footprints.

The footprint is transferred blood from the doorway to the walk. It is blood moved from G32 (in all likelihood) to G7 by Atkins as she left the scene. And this blood sample, I believe, is the most compelling evidence that Sharon Tate was on the front porch. To exclude G7 you have to assume that Granado made one of the above errors (as to the and subtype) two times in connection with what is really the same blood sample.

The Violet Ribbons



G43: Violet colored ribbons found on side of door near blood splatters, human blood- type O.

If our seven suspect samples are wrong, it seems that this too has to be wrong unless someone carried these out the front door and dropped them. No one mentions this act and explaining ‘why’ this would happen is difficult. The more likely scenario is they fell there and no one saw that happen.

If we had an image of the ‘ribbons’ it would be helpful. I couldn’t find one. This is the one time Granado didn’t subtype the type O blood, which may suggest this is one he tested months later. Since this is G43 it is one of the last items Granado addressed, which suggests to me it ought to be in a picture. It is not mentioned in either trial.

If Sharon Tate was on the front porch these could from Sharon Tate’s hair.


The Scarf



G-16. Violet colored scarf found on grass area between body of Frykowski and pathway to front of house, human blood. O-MN [Aside: notice they match the ribbons]

This too, it seems, has to be the wrong blood type if the official narrative is right. Again, I have never seen an image of the scarf. Either the blood type is an error or someone carried this to the yard for some unexplained reason. Again, I have to ask 'why' this would happen?

There is some suggestion in the trial that G16 is actually the same object as G43 from Granado’s testimony (below). I do not think it was.

It is fair to ignore the subtype. We know that could easily be an error. Despite the eyewitness 
(Atkins) this could be what was used to write ‘Pig’ on the door which means she never threw anything back in the room but dropped it as she left the scene. The scarf as the writing instrument makes more sense than either towel. Neither towel is described as having sufficient blood on it. The beige towel, according to the SID report, has blood 'spots' and the yellow towel, well, judge for yourself. [Aside: in a previous post I stated that I thought the yellow towel was used. I no longer think that was the case.]
_____

A: ***** Next I move to G16, which appeared to me like a violet colored scarf with violet ribbons. This scarf was stiff and appeared to have material that appeared to me to be blood, and I took this to the lab and analyzed it. I found it to contain human blood type O, subtype MN.

This was near the body of Frykowski on the front lawn of the residence and approximately 10 feet from the sidewalk leading to the residence.
____

I set out to prove Granado’s mistake, not to vindicate him. I don’t believe I did either.

I believe it is likely that he didn’t make the ‘big mistake’. I believe the evidence says it is more probable then not that Sharon Tate’s blood is on the front porch and that she was there. I think it is also possible that she could be there either with or without Jay Sebring because of the likelihood the MN subtyping is erroneous. And frankly, I don't think he was. 

I can see two ways Sharon Tate could be on the front porch.

 In one scenario little of the ‘official narrative’ has to
change.

It starts with Atkins and Watson both attacking Frykowski as he fights his way towards the front door. The broken gun grip in the front hall, the additional blood in the front hall (right) and the evidence Atkins stabbed Frykowski several times in the back document these events. Perhaps Sharon Tate followed Frykowski (or was near him) because Krenwinkel and Folger were blocking the other obvious exit from the living room. Remember, the fight between Atkins and Frykowski started in front of the couch and heads towards the chair at the north end of the room thus blocking access to the third exit from the room (below).

Frykowski then moves to the porch falling into the bushes at the north end. This act separates Frykowski from his attackers for a few moments. Frykowski's attempted escape leads away from actual help, which is down the driveway, because the presence of Kasabian blocks his best route. He would assume she is another foe coming to aid his attackers (and perhaps she was). 

Then practically everything described by Atkins can happen. Atkins is commanded by Watson to get Sharon. Without a knife she gets her in a head lock. Her conversation with Sharon ensues. She was then attacked by Watson while Atkins held her. Her body was either subsequently carried back into the house to stage a hanging- hanging her with her apparent ‘lover’ or Atkins walked her back there while wounded, in a bizarre way honoring her request to sit down.

I admit I reach this conclusion, in part, because I don’t believe Sharon Tate would ‘freeze’ (some do and your arguments are certainly valid). I also acknowledge one of the reasons I believe she didn't is anecdotal, relating to an incident involving my pregnant wife twenty-eight years ago and how she responded to a far less life threatening, yet still potentially injurious situation. Put simply, I believe Sharon Tate would have fought like hell to save her unborn child or as my wife put it at the time 'she became a she wolf'. 

The second possibility is Kasabian did 'hear' something, Steven Parent leaving, and that sent Watson after him before he could escape ("I won't tell anyone."). With only Krenwinkel and Atkins  in the living room everyone makes a break for it and Watson returns in time to meet them at the front door. But this version says the official narrative is completely wrong. 

The second reason I believe Sharon Tate was on the front porch is, to me, this fact: all seven (I would argue nine) of these samples have to be errors for Granado to be wrong.

In concluding he must be wrong we also start with the assumption Granado made these errors because we choose to believe the eyewitnesses. I started there. 

Comment after comment here, however, asks the question ‘when will they [the killers] tell the truth about what happened’. That is a legitimate question. The most innocuous issue, a bloody barefoot print on the walkway that is irrefutable, results in yet another inaccurate explanation from the one who left them there. Of course, she also claims she only stabbed Frykowski in the leg a few times.

So why would they not tell the truth about Sharon Tate being on the front porch? I can think of two pretty good reasons:

(1.) If they did they would have to explain why they moved the body. Moving her body to attempt to hang her from the rafters with Jay Sebring (his body obviously was at least ‘staged’ for that) is pretty damn sick. You decide how that might impact their trial or parole chances. As to the trial aspect, look at Kasabian’s self-serving comment, above. She already had immunity and was still trying to distance herself from 'them'.

I believe hanging the victims was part of the plan. I can’t imagine why you would bring 43’ of rope in one piece to tie up the victims and instead put the rope around three (and maybe all four) of their necks and then use a towel to tie them up.

I’ll add only that once Atkins’ version of events came to light it became the narrative for everyone, including Bugliosi, and everyone, ever since and Ms. Atkins is anything but a reliable source.

(2.) Giving the killers the benefit of a doubt, maybe they can’t emotionally or psychologically accept the fact that they tried to hang the victims. I'm not sure I could. It would be easier to say ‘I hid by the guest house until it was over’. Then, I don’t have to accept responsibility and don’t have to 'embrace' what I did.

I would like to acknowledge the substantial contribution made to this post by Bo at Cielodrive.com. Bo probably deserves partial credit on all of my posts but on this one especially. 

Pax Vobiscum


Dreath