Wednesday, January 21, 2015

Did Sharon Tate Have a Premonition?

By Dick Kleiner (syndicated columnist - August 1969)

HOLLYWOOD - (NEA) - It was just a creepy story, when Sharon Tate told it to me early in 1966. But now, three years and five murders later, it has acquired something more than creepiness.

She was a starlet then. Sensational to look at. They thought she was going to be a big star. Maybe she would have been. Maybe not. Anyhow, in '66, she was a girl of promise.

But there was something a little strange about her. Everybody noticed it. They thought, at the time, that it was because her first feature was an oddball terror thing called "13" - later they changed the title to "Eye of the Devil" - and maybe she was taking her work home with her.

You could look at her for hours. And listen to the nutty stories coming out of that beautiful head. I like stories of the supernatural. She knew that, and she had one.

It involved Jay Sebring. And the house in Benedict Canyon. No, not the house where she and Jay were killed. That was on Cielo, just off Benedict. But the houses can't be much more than a mile apart.

Sharon used to date Jay. This was before she met Roman Polanski, the man she married. She and Jay went together for a long time. Jay had just bought the house in Benedict Canyon.

It had once been owned by Paul Bern. It was into that house that Birn [sic.] had brought his bride, Jean Harlow. And it was in that house that Birn had committed suicide.

The beautiful girl told the story, calmly, matter-of-factly, it seems that Jay was in New York on business. And Sharon was between apartments. She called Jay and asked if she could stay in the house. Of course she could. [NOTE: According to the 1966 story, Tate said that she "had had funny feelings" inside the house, so when Sebring was out of town, she asked if she could spend the night "to see what would happen."]

She was there that night. That dark night. She was alone. She wasn't usually spooky [not a typo], but for some reason she was that night, in that house. She kept a light on, by the side of her bed.

"I saw a creepy little man," Sharon said. "He looked like the pictures I'd seen of Birn."

She ran downstairs. [Note: In the 1966 interview, Tate said that she was sitting in the downstairs den when she saw Paul Bern's ghost. In fact, there is no mention of her being upstairs at all during her paranormal experience.]

When she got downstairs, she wished she was still upstairs.

"I saw a vision of someone tied to the staircase," she said. "It might have been me. It might have been Jay. Whoever it was, it was cut open at the throat." [In the 1966 article, Kleiner writes, "And there were other visions, concerning a man and a woman, which cannot be printed, but mostly it was this vision of a man, seen in detail." The man Kleiner is referring to is Paul Bern.]

She needed a drink, for nerve-steadying purposes. She didn't know where the bar was. Something told her to open a bookcase. Inside, there was a hidden bar. She poured a shot.

There was some wallpaper below the hidden bar. For some reason, she picked at it, tore it away. It covered a lovely copper base to the bar. She wondered why it had been papered over.

Strange, how the mind works. Worrying about things like that when ghosts are wandering around upstairs and mutilated bodies are tied to the staircase downstairs. She thought it must have been a dream. She decided to find out and went back upstairs. The body - (Could it be her, could it be Jay?) - was still tied to the stairs. [Note: The 1966 article makes no mention of a bar, and of course, no body tied to the stairs.]

The creepy little man was still prowling around upstairs.

She went to bed and somehow slept.

When Jay came back back, the next morning, he woke her up. She remembered the events of the night before. It must have been a dream - but ...

"Hey," he called, "who tore the wallpaper off by the bar down here?"

No dream.

But three years later, a mile up the road, a nightmare. She and Jay were killed. Both stabbed, Three others killed, too.





Sunday, January 18, 2015

Manson's First Post-Conviction Interview

Manson's first TV interview following his conviction (8/18/75). The Associated Press interview first aired on KTVU in San Francisco. Manson says they could have gotten off had they had the chance to make a defense, which Nixon prevented with his statement. He blames his lawyers. He originally wanted to present their own case because they knew the truth of what happened and why, but public opinion didn't want to hear that.







Friday, January 16, 2015

The Bob Ruby/Sandra Good Interview

Bob Ruby was a talk radio personality with a show in the New Orleans radio market.  At the time he did this interview with Sandra Good he was the number one radio personality in that area. 

This interview was conducted not long after Lynette Fromme tried to assassinate President Ford.  The interview would later be used against Sandra Good after she was arrested and tried in federal court for sending threatening letters to people and corporations in the name of The People's Court of Retribution.  Bob Ruby testified for the prosecution.

















Wednesday, January 14, 2015

Billy Goucher's Grand Jury Testimony

                                                       Billy Goucher and Maria Alonzo

These are the pages from the grand jury testimony that Billy Goucher gave prior to testifying against Michael Monfort and James Craig for the murder of James Willett in Guerneville CA in 1972.

The newspaper articles about the trial are HERE.

















Monday, January 12, 2015

John Lennon: Creative Ziggy Stardust and SADIE GLUTZ

Sent by blog reader "Chris from the UK"...

I often read the manson blog but have never posted.

I thought I'd send you this link in case you wanted to put it on the site.

It's one of John Lennon's last interviews and it has quite an interesting Manson connection.

At 36.00, John talks about how the response to the Plastic Ono Band album would have been different if it had been released under a pseudonym. One pseudonym he mentions is "Creative Ziggy Stardust and SADIE GLUTZ".

That's right, SADIE GLUTZ.

I assume that John had read a lot about the Manson family members and that name had stuck with him. I cannot see how that would just be a coincidence as it's such an odd name to use.







Friday, January 9, 2015

Larry Bailey



The man in the black shirt (at left at the start) is Larry Giddings (Larry Bailey) who allegedly participated in Donald "Shorty" Shea's murder as well as served prison time for the Hawthorne shootout. His turn to speak begins shortly after 45:00 in case you want to skip ahead.





Wednesday, January 7, 2015

I Learned to be a stuntman from Shorty Shea

Today we have a rare treat. "Pete P" was a child from Simi Valley who grew up to become a Hollywood stuntman. Pete became interested in movie stunts from his exposure to the stuntmen who worked at the ranches around Chatsworth, among them Shorty Shea. Pete is searching for any photos of himself with Shorty, so if you ever snapped any photos as Spahn he'd be appreciative if you checked your collection for him. You can reach him through us if you find any.

Pete, who is admittedly technologically challenged began searching the web in hopes of finding those pics. Searches for Spahn Ranch landed him in the good hands of MansonBlog friend Stoner van Houten, and now us. Below is his story:

Pete P. (center) with Eric Estrada (left) at a CHiPs reunion in Las Vegas

I would ride to Spahn Ranch on my mini-bike between the ages of 9 or 10 without my mother's knowledge. I was a bit of a black sheep to begin with, but after my dad bought me that mini-bike I was outta control. We lived on the corner of Elizondo Ave. and Currant Ave in Simi Valley.  A flood control wash was right across the street that runs right through the center of Simi. I rode that about 10 miles or so on the hard-packed parts. Then I rode a small service road along the railroad tracks for a few miles to Santa Susanna Pass Rd.

I was fascinated with stuntmen and I wanted to be one even at that early age. I knew Charlie (Manson) by sight and name, but I thought he was a stuntman. I figured everyone at the ranches were stuntmen. I already knew a couple of them from a neighboring ranch called Corriganville Movie Ranch - specifically Jimmy Babcock, Monte Laird and Joe Soto. Those guys would also frequently be at Spahn to do stunts for the various B movies that were filmed there.

I'm not computer savvy at all. I only learned to text a year ago. I was looking for photos of me at Spahn ranch. I do believe that people have them. People were always taking pictures there. The riding customers, the move people. Everybody. There was one in particular that I remember taking with Shorty. I was sitting on a corral gate. Shorty was standing next to me with his arm around me and with his other hand made a fist, like he was going to punch me. A girl who was frequently at the ranch took it, but I don't remember her name. If I could get one of those pictures it would be GREAT. So I started to look. When I got on-line, I was floored at how great the interest in this subject still is. It led me to Stoner, and now to you guys.

It was actually Charlie who introduced me to Shorty. I asked Charlie how to become a stuntman and he said, "First you have to be one" (He always talked in riddles). He also said, "You'll want to talk to Shorty". So that's when my career as a stuntman first began. My time with him lasted four or five months.

Shorty was a great guy. He taught me everything like how to take a saddle fall, how to throw a punch and how to take a punch. Most of my friends played sports, but I hung around Shorty. He took the time to show me things. He took a liking to me and an interest in teaching me. He also didn't treat me like a kid. He treated me like an equal. In exchange, I worked for him. I did things like clean horse stalls and other things. For instance, sometimes a ranch customer would be out for a ride and get off the horse to urinate and the horse would run away. So, part of the job was to go find that horse. I really liked it, even cleaning the stalls. If I got there early enough I got to help feed the horses. I loved things like that. My dad was a city boy and didn't like horses but I loved it. I liked cleaning and being a cowboy.

Charlie was always nice to me. He sometimes would ask to ride my mini-bike. I'd let him and he'd tear around on it and seemed to have fun like a little kid. But, Shorty didn't like Charlie and didn't want me near him. He said, "If you play with a bucket of shit long enough, you're gonna get some on ya". I know that people have the idea that Charlie was in charge of the ranch, but he wasn't. The wranglers thought he was a clown. They laughed at him - never took him seriously. Monte Laird slapped the shit out of Manson twice that I know about. I got there shortly after the first one. I witnessed the second, and Laird sure bloodied him up. I also saw Joe Soto throttle Manson good one day. You gotta remember, these guys were a different breed. If you pissed them off they didn't wonder "hey will this guy call the cops?". No, they'd rough you up and just laugh. Those guys were tougher than any bikers. I know that there are folks out there who see Manson as some mysterious guru, but he was a joke to those guys. I wound up having a long relationship with Joe Soto. From the time I met him as a kid at Corriganville Ranch until he passed away in 2009 at age 80.

The only other Manson Family person that I had any real exposure to was Tex. The thing I remember best was that he'd take us for ice cream. He had a pickup truck and we'd all (mostly kids and teenage girls) pile in the bed (since it wasn't illegal back then). Tex would spin the truck out leaving the ranch and we'd all slide around and bang into the sides and laugh. He was almost like a kid when we'd go on those ice cream rides. He was always nice to me.

I remember some of the girls, but I don't remember any of their names because I mostly hung around with the wranglers. I do though remember that sometimes they made brownies and would give me some. I also remember that they liked to take gum wrappers and fold them up to connect to each other and make chains. They had some really long ones going!

One day I got up early and went to Spahn Ranch because I wanted to help feed the horses. When I got there Shorty wasn't around and the horses had not been fed, so I did it. When I finished I saw Charlie talking to Tex and another guy. I asked about Shorty and Charlie said, "He went away on a trip." When I asked when he'd be back he said he probably wouldn't be back. I was very hurt. Shorty was my teacher and more importantly, my friend. He was also the first adult friend I ever had. It was the first time in my life that my heart was broken.

I first heard about Shorty's demise at home. My mom watched the news every evening because the Vietnam war was on and we had relatives over there. This one night the ranch was on the news. Miss Pearl (Ruby Pearl) was being interviewed. She said she was worried about Shorty and feared something very very bad had happened...

Donald Shea
1933-1969

Stoner's interview on Thursday:







Monday, January 5, 2015

Bobby's Parole Hearing Moved to February

I am not on Bobby Beausoleil's mailing list but a friend of mine is on the list.  That friend received an email saying that Bobby's parole hearing has been moved from October up to mid February.  Here is the text of the email.

My request to the Board Of Parole Hearings for advancement of my hearing was granted in consideration of the new materials Jason  submitted to the Board on my behalf. The hearing was advanced by ten months and is now scheduled to take place in mid-February. We have been preparing for this hearing for several years, and most of the prep work has been done; overall we are in good shape to proceed. However, there are still a few pieces that need to be done, such as gathering together some letters of support for my release from close friends and relations who may be inclined to write one. There is a bit of a scramble to get these things together in the weeks left to us before we must commence with the hearing.

A letter of support from you will be most welcome. If you would like to weigh in and express your point of view or your sentiments regarding my release on parole, I invite you to do so.

After so many years and so many parole hearings writing a letter may seem like an exercise in futility, especially with the politics that are unfortunately an influence in my situation. But there really is no telling in advance how these things will go. Parole dates are being granted, some surprising ones at that.  If the Board is leaning at all toward granting me a parole in this hearing a letter of support from you is likely to figure significantly in their consideration.

From experience I can tell you that a letter of support is most likely to be read by the Board if the length of the letter is kept to one page or less. Typewritten or handwritten, either way is fine, whatever your preference. The heading can be To the Board of Parole Hearings, In Support of Robert Beausoleil, or simply To Whom It May Concern. If you choose to write a letter, please address it to:

Support for Robert Beausoleil
c/o Jason T. Campbell, Esq.
Bay Area Lawyers PA
300 Montgomery Street, Ste. 660
San Francisco, CA 94104

Again, from long experience I know that there is no talking anyone into granting me a parole date. Doing the right thing is a choice we all make in the moment, and is not something that can be imposed on a person or entity by another. I am resolved to hold to the center and preserve my integrity whatever the outcome of this hearing may be. Honestly, this is the best I can do, and I will pray for the strength to hold true in this resolve.

I am grateful for your support, in whatever manner you choose
to express it.

In love and peace,

Bobby








LadyNoel's Gibbie Tribute Blog

Patty stumbled across the following cool site while researching whether or not Gibbie Folger was at the Monterey Pop Festival (she was).  She found a photo there of an article she pulled a few years back of Gibbie's debutante ball and was touched to see that LadyNoel gave Patty a photo credit. That's so nice! Patty has always thought that The Lady is a real class act. Thanks, girl.

Anywhoo, Patty would like to return the favor and plug LadyNoel's blog at http://abigailfolgertribute.blogspot.com/ where you can see the following cool photos of Abigail, and so much more:









Friday, January 2, 2015

Prison Tattoos

1488:
"1488" "1488" is an Aryan Brotherhood tattoo that stands for the number of words in the prominent Neo-Nazi David Lane quote:

"We must secure the existence of our people and a future for White Children".

The 88 stands for the 88 precepts laid out by David Lane in his white power manifesto.

Aryan Brotherhood:
The gang was founded by Irish-Americans and as such much of their iconography is celtic, with Shamrocks being a common feature in A.B. tattoos.

Cobweb:
A cobweb is a frequent tattoo seen in prisons and it means a lengthy prison sentence. Usually the cobwebs are found on the elbows with the symbolism being that the inmate is sitting on his elbows for so long he is collecting cobwebs.

A spider web with a spider tattooed inside of it can bean a drug addiction.

E.W.M.N
"E.W.M.N." across the knuckles means "Evil. Wicked. Mean. Nasty". The tattoo doesn't have any gang affiliation, it is more of a way of life.

Tattoos across the knuckles became popular in the United States in the 1950s and many different variants exist.

Five Dots:
Five dots on the hand stands for the amount of time a prisoner has done in a prison. The four dots on the outside represent the walls of the prison and the dot in the center represents the inmate bearing the tattoo.

Clock with no hands:
A clock with no hands is a symbol for the inmate and being in prison. The lack of hands on the clock depict that the prisoner has an extra-ordinarily long sentence.

A set of cards:
A set of cards indicates an inmate that likes to gamble, both inside and outside of prison. The suit of cards can carry many different meanings with diamonds meaning the inmate is an informant or a heart which can mean the inmate is available for romantic partnership (both suits would be unwillingly applied).

Teardrop:
The teardrop is the most famous prison tattoo.

The teardrop can indicate many different things, such as that the bearer has murdered someone, or has had someone close to them murdered or even the amount of times they have been raped in prison.