Read somethings-

http://www.guardian.co.uk/music/2010/dec/15/henry-rollins-charles-manson

Which links to-

http://www.magicbulletrecords.com/site/bands/active/charles-manson/

Or if you don't like to read here is the short version-

AIR, TREES, WATER, and ANIMALS is a 4-part, seasonal album series by CHARLES MANSON on Magic Bullet Records that brings together these two passions. Each individual album features previously-unheard, authorized, and exclusive songs with a sharp focus on the non-sustainable environmental conditions mankind has wrought for itself. The recordings span numerous sessions and are presented in their raw, natural, and unadulterated form. Each installment also features striking artwork and careful presentation centered around the tenets and philosophies of ATWA (including exclusive paintings rendered by MANSON himself).  When all of the sensationalism, fear, projection, and knee-jerk response is stripped away, all that remains is a man named Charlie, strumming and picking away on his guitar and sending his passions into the ether.

Schedule of release:

• AIR CD/LP/Cass/Digital : Summer 2010 (August 10, 2010)
• TREES CD/LP/Cass/Digital : TBA
• WATER CD/LP/Cass/Digital : TBA
• ANIMALS CD/LP/Cass/Digital: TBA

crappy copy i know

click to enlarge and put on your reading glasses

Backporch Tapes's Youtube Channel

This account has been suspended due to multiple or severe violations of YouTube's Copyright Policy.

----------------------

Too bad. Can't think of who's copyrights he could have violated. Oh well...

The Social Swim by Yvonne: A Big Evening for Gibby Folger

San Francisco Examiner, December 22, 1961

Exotic Abigal (Gibby) Folger was presented to San Francisco and Peninsula society last night at a magnificent Italianate ball given by her father and stepmother, Mr. and Mrs. Peter Folger, at the Hotel St. Francis.

Seemingly dozens of dinners were given first, but by far the largest was the one hosted by Mr. and Mrs. Bruce Kelham in the hotel's Borgia Room.

It was for all this year's debs, their escorts and a few of the Kelhams' friends. Guests included the Folgers, the James Floods, Mr. and Mrs. James Barnett of Bel Air, Mrs. Selby McCreery, Peter McBean, Whitney Warren and Mrs. Ines Mejia Folger, who is Gibby's mother.

Mrs. Kelham was a hostess in abstentia, because she has been hospitalized and is now convalescing.

The dinner tables were covered with American Beauty satin cloths, and centerpieces included gold baskets filled with white camellias and garlanded gold candelabra.

Mr. and Mrs. Folger and Gibby received in the foyer beside the Colonial Room. The tall debutante's dress was a bright yellow Dior, which she purchased in Paris last summer. It was designed with an Empire bodice, three-quarter-length sleeves and a long skirt. Mrs. Folger's gown had a square-necked green sequin bodice and a white satin skirt.

Bruce Kelham was decor adviser and began with a pink and green color scheme. The receiving line was stationed in front of a trellis entwined with foliage and pink camellias. Beside it was a filigree screen with Gibby's orchid gifts.

Ernie Heckscher's Orchestra played for dancing at the opposite end of the room, the musicians flanked by 14-foot pink and green striped banners drawn up above the center of the ensemble.

The little balcony boxes around the room were shaded with pink and green striped awnings.

Supper was served after midnight in the adjoining Italian Room, where the small tables were covered in dusty pink satin and the buffet in green satin.

The entrance to the room was marked with striped maypole banners. Behind the buffet were jewel-studded gilded instruments joined together with pink camellias and puffs of pink satin.

Among the dinner parties given before the ball were those hosted by Mr. and Mrs. Oscar Sutro, Scott Martin, Dr. and Mrs. Cabot Brown, the Marshal Fishers, Dr. and Mrs. Ralph Soto-Hall and Mr. and Mrs. George Kimball. The Kimballs' party honored Nancy Miller, the Harry East Millers' daughter, who made her debut last year.

Other dinners were given by Mr. and Mrs. Bruce Dohrmann, the Charles Mayers and the Charles Munns.

From "Death To Pigs"

Nancy Pitman on Charlie telling her to "Get a knife and a change of clothes."

Merrick: Talk about the garbage runs.

Brenda: I wanna tell you what...back of the market and uh, we were gonna ask the guy in the back of the market if he had any broken up boxes of food or dented cans. And uh, he came out with a big box full of fruit that was just ripe, but nobody would buy it cause it was too ripe. So we asked him if we could have it and he says "Naw, I gotta throw it out." So he threw it. They got these big cans and like, the got one for vegetables and one for boxes and one for meat. And he took the whole box and just dumped it in.  So, we went in after it,  We got, we picked through it and we picked all the ones that didn't have any bruises on em or anything like that so we took em out. We went through and we discovered they throw out boxes and boxes of stuff like this, that we could go through and pick out the good stuff and then take it and wash it.  And takes the skins off and stuff, which is interesting, because when I was testifying, they asked me, "Had Charlie ever asked me to take a knife and change of clothes an uh, go somewhere?" Well yeah, he did. We used to go on garbage runs. One day, the first day I went on a garbage run, Charlie said "Go to the kitchen, get a knife, and take some clean clothes. cause you'll get dirty in the cans and uh "Go do a garbage run." So i got a change of clothes and a knife and I went down to the market.

The last still shots from Hang Fire filmed at Spahn's in 68 with a cameo by "Shorty"

Dick Warlock, Bill Willingham, Bob Bickston,
Don "Shorty" Shea sitting in the front wearing
a white hat.



Bob Bickston, Jerry Vance


Bill Willingham, Bob Bickston, Dick Warlock

Used with permission of Bob Bickston
http://employees.oxy.edu/jerry/spahn.htm

on left Don right Charlie Aldrich

Raw Footage from MANSON

Matt has asked if I could elaborate on the following paragraph posted on my website sometime ago.

"All of this exclusive film and the bizarre secrets it reveals will be available on the Net in what can only be described as an unprecedented event itself. You will experience through the eye of the camera, the entire expedition as I did. …instead of assembled sound bites and the pieces of film spliced together, you will ‘witness' it all; life on the streets in the 60's, love-ins, anti-war demonstrations, riots and the man who eclipsed it all, Charles Manson, uncensored."

About twelve years ago I rough cut (assembled) the MANSON footage described above into a five hour mini-series: "The Legend of Charles Manson". Only the sound effects and the narration were not yet incorporated into the project. Then, with eBay and Amazon providing a venue in which bad guys could unload their illegal wares, a New Jersey counterfeit ring started making and distributing unauthorized DVD copies of my 1973 MANSON film. I filed a Federal lawsuit in hopes that eBay would stop the "pirating" conducted on its website. But the Court determined that the US Congress intended for Internet service providers, via the DMCA, to be free of any obligations that might inhibit them from violating already established secondary liability laws.

Of course, then I was faced with the realization that if I finished the mini-series and released it, it would be immediately "pirated" all over the world. Especially, because I was going to put it on the web via a "pay-per-view" business model. So, I eventually thought of making an 85-minute condensed version of the "The Legend" series to test the actual extent to which widespread Internet "piracy" has taken over America and the rest of the world. Unfortunately, as this recent YouTube email proclaims: "Pirating will always be around."

"Dude, you have more Family jams and Watkins/Brooks recordings? Stuff that hasn't been released? Release it please! Pirating will always be around. What are you going to do, let it rot?"

And yes, the 1970 filmed Family Jams and the Watkins/Brooks recordings are included in the "The Legend" series, but should I try again at releasing more MANSON material, in the hopes that a different result will occur?  Instead of victimizing myself with even more insanity, I decided to write a book which incorporates most all of the dialogue recorded during the making of the MANSON material from late 1969 through the summer of 1972. Obviously, the result is "Death to Pigs".

Because the paper and ink book publishing business is now in a bad way and the DVD market has been all but destroyed by the illegal downloading on the Internet, I came up with a new marketing idea. I'm still trying to work it all out, but the plan is to also release the MANSON book as a "play-book". That is, to allow those who purchase it with the intent to perform the work on the stage as a play, to maintain all the ticket sales monies they earn for themselves. In other words, a high school or college drama class can purchase copies of "Death to Pigs" for each speaking part and be granted permission under my copyright to perform the work for profit.

So, instead of a school just performing the same of "establishment" type entertainment for the community's elders, young actors will have an opportunity to do something dramatic, meaningful, mentally stimulating, and profitable for their school. This can easily become a win-win situation for everyone. Maybe this could even lead to "Death to Pigs" on Broadway starring the new Lindsay Lohan. What do you all think?

Robert Hendrickson

Anton La Vey's Black House: 6114 California St.

Now: And, Then:

The Black House was used by Anton LaVey as the headquarters of his Church of Satan from 1966 until his death in 1997. LaVey lost ownership of the house in 1991, but was allowed to reside at the Black House until his death. Members of the Church of Satan unsuccessfully attempted to raise funds to repurchase the house, and it was demolished on October 17, 2001. The original address, which was 6114 California, is no longer used.

Annotated Haight Ashbury NOW

above: The Haight Ashbury Free Clinic, today.

Recently Patty saddled up her old Mule and went to the big city...Ridgecrest! Ha, just kiddin ya, she went to San Francisco. One of her favorite places to visit there is the Upper Haight, aka the Haight-Ashbury. In her youth, Patty actually lived in the Haight. And like many other young people there had many addresses in a short period of time. Take Charlie and Mary, for instance. Most of us know about the house at 636 Cole, but did you know that they also stayed for a while at 616 Page in the lower Haight? True story. And Janis Joplin: her “most famous” address is 635 Ashbury, but the place she is said to have lived when Susan Atkins met Charlie in 1967 was a place at 122 Lyon. Sadie wrote in her autobiography that the commune in which she was staying was “right next door” to Janis. 122 is the house in the middle of the photo below, so Sadie either lived in the house on the right or on the left of it:

Patty remembers that in the early 90’s the Haight could at times be a seedy and dangerous place. Today? Not so much. Verrrrry gentrified, just like in the days before the Summer of Love. Here is Patty’s hack job map if’n you ever find yourself in the area and want to see the sights: what’s left of ‘em, that is. key to above:
Black: 543 Frederick: the Kerista Commune (okay, so they were early 70's, not 1967. Patty just likes cults)
White: 318 Parnassus, Hunter S. Thompson's pad
Red: 122 Lyon, home to Janis Joplin during 1967-1968
Orange: 558 Clayton, Haight Ashbury Free Clinic, where the girls were treated, where Gibby's mother did charity work, and where the Family became the topic of a scholarly paper entitled "A Case Study of the Charles Manson Group Marriage Commune" by Dr. David E. Smith.
Yellow: 407 Cole, original SF home of The Process Church of the Final Judgment
Purple: 1350 Waller, Digger bakery where Peter Coyote and friends baked up free wheat bread in one and two pound coffee cans. If you want the recipe, you can find it at: http://www.diggers.org/diggers/digbread.html
Pink: 710 Ashbury, Home of the Grateful Dead
Blue: 636 Cole, Charlie's Upper Haight pad

above: 407 Cole Street, Home of The Process

FOR THOSE THAT DO NOT KNOW

This is HIPPIE SCHOLAR aka: Savage, JimNY, MonkeyBoy, RoleModelForDummies plus others.

To get a better idea of who you are dealing with, The link is about Hippie Scholar and something special he did http://www.mansoncasefile.co.cc/van_houten_faked.html

This guy is on a thread at LSB at this very moment. First he states George Bush Sr. and George Bush Jr. are responsible for TLB and then does a 180* and says Tex planned Nader's murder because he was jealous that he banged Linda.

I didn't really know what a FREAK this guy was until now. Well.... I knew he was an idiot, but not a FREAKING idiot.